Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

go Elvis go!

love the sound - you should try to get a convolution reverb sample of this space. I'm not quite sure how to do that but the info has to be on the net somewhere.

please post your version of fearless!

12 equal version http://alonetone.com/vaisvil/tracks/fearless-2

much tighter! and nice keys!

funny thing about it is that I thought Steve was trying to get rid of me. Perhaps he was a master of the mind f**k

Cool song... it sounds like the green fairy visted!

you know... its a girl on the phone call - maybe Norm got Desirae busted for indecent behavior! Gosh I don't want he after me though!

Catchy title indeed! Nice song!

brilliant!

Yes indeed Jim Morrison in vocal tone but perhaps Ton Waits in lyrics. Excellent if being thrashed with a pepper sprayed cat-o-nine tails is excellent :-)

Frank wants to re-record this. I think we will be doing that sooner than later.

Yay!! It's fixed.

I was :-) Everyone needs a song in the wholetone scale

Hi Richard, no I didn't stay up for that. I was too busy playing with my soft synths :-) This is a beautiful piece.

You Eric's son? Awesome!

such a *big* sound! this is excellent!

Very funky indeed!

This is quite awesome, by far the best tune from that album and performed extremely well here!

love it!