HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful
subtlety to this end. I like that.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed.
And what an interesting poem. I read up on it. Some highlights:
With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure.
It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing."
"The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
As can happen when you listen to sometime a million times over your mind and ears start accepting things that later you wish you had not. This is a (much better imho) revision thanks to the urging of Gary from the music by computer list.
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
RPM #2, first thank you all for the comments on rpm 1,, once again i forage into the world of midi orchestration,,, while i am beginning with strings and woodwinds,, this is a section from a string piece i am working on,, that somehow led me to…
Reg is fed up with being judged on his mental health..Care in the community...what a joke...track no3 for the RPM......
Care in the Community (Lyrics)
I’ve been shaken down to what i really am
and i am really nothing like you or you or you…
first my apologies to J. Pachabell
second, my very best wishes to all my AT friends who make sharing music here so wonderful,, hope your holiday season is most wonderful and filled with love, peace to us all r
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
Here's request Carry on my Wayward son by Kansas we had.... again Gene has outdone himself with some superb musicianship ......and i've again had the easy job with the vocals...thanks Gene
For the grandchildren, when I get some!
Moonbee started life as a doodle, then he was turned into a little story, then a song!
This is Part 1 of the series - I have no idea how many there will be in total!
Enjoy! xox
P.S. This is…
Well that didn't last long Reg felt something wrong so he's moving on to pastures new..........it got Reg feeling Jazzy......
Time to go (Lyrics)
Theres something in your smile that tells me its time for me to go
when i ask if everything is ok…
Maybe the last for 2012 Reg got the Acoustic out on this one and a touch of guitar fx for the vocal hope you enjoy.......Happy New Year....Although Reg is a miserable sod........
I've enjoyed your work too - though mostly via Sound-In - Alonetone... I've found less and less time for AT as I've been getting more active in the microtonal community. However, Sound-In... I wait for every week :-)
Dawn awaits – SKEEN 121013
The beating, of her heart up next to mine,
So sweetly keeping time
Stirring, from her slumber through the night
Slowly opens….her eyes shine brighter than the mooonlight through the trees
Awake, my darling from…
Comments on vaisvil's stuff
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.
WOW! Great sound and meaty lyrics, maestros!
very cool guys,,,,has a primal feel,,,,,,enjoyed very much
nice spoken word piece and the music provides the perfect backdrop.
Great percussion as well arrryyehh yeehh yaaah
Enjoyed this immensely in fact so much so i started to laugh
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.
What a vocal. Go for it Chris!
Crazily spooky! Totally envy your sustained notes. Damn.
DL'd for later :)
I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...
Less then one minute in and i already love it.
very nice,, as always i am amazed by your art
Beatifully sick! I like it very much!!
Wow, stirring stuff!
Yes indeed cool!
Ummm just blown away!
Cool story about Majnun. Very pro sounding production. Horns sound great to me.
yes........very chaotic and interesting all at the same time,,,,,
Comments made by vaisvil
Are you related to Robert Fripp? It sure sounds like it. Man this is lovely. I could heart this 3 or 4 more times.
What JamesRainmondi said - masterwork here - stunning!
this a quite good - enjoyed
Nice work, and realistic I'd say.
excellent.... needed to be said
beautiful, I'm sorry I missed it when first posted.
I really like this - nice structure and tones.
excellent!
I've never heard you play something like this before - very nice!
Superb all the way around!~ Speed Demon sounds like he's been touring with Kansas! Excellent vocals!
Lovely!
Very cool sounding! re: Closer to Mumbai => its the spices :-)
nicely done!!
you play guitar like Peter Townsend! I love the vocal effects.
This is really nice. I love the vocal harmonies and the slide too.
This is a beautiful medley!
I've enjoyed your work too - though mostly via Sound-In - Alonetone... I've found less and less time for AT as I've been getting more active in the microtonal community. However, Sound-In... I wait for every week :-)
This is fantastic!
Enjoyed that - good song writing and production to my ears
thanks Reg!!