jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
I said it so long ago:
"We don't know.
We might not ever, will we?"
I said it so long ago:
"We don't want to know.
Or do we?"
Suffocate, I want to suffocate
----
Sax by [Matt Nelson](https://www.mattnelsonsax.com). Mastered…
https://alonetone.com/vaisvil/tracks/not-all-who-wander-are-lost this is the song in the background linked thru here... --- I sing with the song (no lyrics in the song till here) these are the lyrics from the link above..
About "Not all…
taken this
https://soundcloud.com/h92o/for-chris-at-d-d
and chris's song here
https://alonetone.com/vaisvil/tracks/polyharp-ji-musings
and mixed them chopped up the long work by me as to not over extend the song.
This is an improvisation on the Barbara Charline Jordan's 1974 Statement on the Articles of Impeachment delivered to the House Judiciary Committee during the Richard M. Nixon impeachment proceedings. From Wikipedia, "Barbara Charline Jordan was…
Here is my contribution to the Minnesota Homebrew Radio Show Songwriting Challenge for April:
__________________________________________________________
Our SONGWRITING CHALLENGE for the April 25 show is to write a song that 1) is about the…
Comments on vaisvil's stuff
Sweet
Had to come back for another listen. Really gorgeous piece, but oddly enough I keep wanting to hear it in equal temperament!
Dynamic, slightly atonal. Nice!
Lovely!
Inspired! Love the beats and the clanging sound throughout - great rising synth voices also.
beautiful decemberpiece
What a gorgeous piece. Now, that's lovely!
Wow, powerful stuff indeed. Crumbs Chris, that's amazing.
No saint, her.
Nice!
Had a few listens (TIS)...Great track!
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
Comments made by vaisvil
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.
reminds me of the minute man air corp of Massachusetts bringing down spitfires during the Boston Tea Party of 1812. Some tea - some party!
Great sounds in this!
excellent odd and menacing mood!
Its the only reason to have a day job!
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?
awesome production changes - I enjoy the constant evolution
Thanks Bill!
This is incredibly cinematic - excellent work !
Beautiful Ben!
lasers to a WWII Battle of Britain dog fight!
Excellent! Adds a nice ambient layering
great!
this is stunning
this is a marvelous transformation of guitar!!
I love this as well!
nice use of temsion and release - as Jim said - a movie score.
If this had more drive it would break the interwebs! Nice work!