jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
jpeg is Centaur 2 by SnowSkadi
A while back Kraig Grady, the author of the JI tuning "Centaur" asked me to transpose my piece Centaur's Pasture composed in his tuning to different "keys" in order to hear the different character each transposition…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
I went out during cover of night (to avoid looking like a total crackpot) with a violin bow & Zoom H2 digital recorder and bowed various things in the neighborhood. This is the best - a beautifully resonant 4-way stop sign.
I went out during cover of night (to avoid looking like a total crackpot) with a violin bow & Zoom H2 digital recorder and bowed various things in the neighborhood. This is the best - a beautifully resonant 4-way stop sign.
actually both parts of the sign, or should I say, both signs, were resonant. And sure if I can talk Debbie into doing the video I'll be happy to - can't be too many traffic sign solos out there :-)
The radio play episode 1 is introducing Thetworegs with Reg as writer performer, musician, and producer as the budget was rather low.......... They have just set sail for Germany it was time for them to leave England before they were caught…
Sassy Nation version!
Sister Savage and Mr Sandbags collaborated on the original of this wonderful heartbreaker of a song. I've been playing it on the guitar the last few days and it always seemed to come out with a grittier tone, so i asked…
Hi, my 17 guitar is 17 equally spaced notes to the octave. So it has 5 extra frets. I tune it like a regular guitar with small adjustments to take into account the different fret placements.
you can find pictures of the guitar here
http://chrisvaisvil.com/?p=436
Sloane did me a favor & played an electric guitar part on this one. I had hoped to work with her more on this project, but she wound up leaving town to help take care for a recovering family member.
------------------
Seventeen thousand…
Another one from the collaboration of Chris Vaisvil, Norm and thetworegs from the album Women and Whisky together ain't no good. We hope you enjoy......................
Reg created the lyrics, vocal melody, and sang
Norm composed and played…
About a place in the world that is very special.
But It would be just another bit of rock if it wasn't for the people I shared it with....
This one is called “Stoneâ€...
Peace
T
Vocal and Lyrics by Jim Higgins
we raced…
Come Tomorrow
-
I'm like a tumbleweed, got no roots
I'm like a climbing vine, leaves and chutes
Come tomorrow, I might not be around
Come tomorrow
I'm a reflection, you see me in your mirror
A missed connection, so far and yet right here…
had to stretch the song to fit the video but I will not be able to post the video till it is rendered and uploaded :
these latest expriments are with both the vocoders going into the other from the mixed outs of both.,
had to stretch the song to fit the video but I will not be able to post the video till it is rendered and uploaded :
these latest expriments are with both the vocoders going into the other from the mixed outs of both.,
Comments on vaisvil's stuff
Sweet
Had to come back for another listen. Really gorgeous piece, but oddly enough I keep wanting to hear it in equal temperament!
Dynamic, slightly atonal. Nice!
Lovely!
Inspired! Love the beats and the clanging sound throughout - great rising synth voices also.
beautiful decemberpiece
What a gorgeous piece. Now, that's lovely!
Wow, powerful stuff indeed. Crumbs Chris, that's amazing.
No saint, her.
Nice!
Had a few listens (TIS)...Great track!
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
Comments made by vaisvil
can't say I'm done 4ths - I'm usually fixated on 5ths - nice improv - did you play the synth at the same time?
lovely is too mild of a word - this is gorgeous and spell binding.
very enjoyable!
2 am at a smoky bar with an audience mesmerized by the band.
nice work - it must have been your doppelganger joining in !
the post was not resonant.
actually both parts of the sign, or should I say, both signs, were resonant. And sure if I can talk Debbie into doing the video I'll be happy to - can't be too many traffic sign solos out there :-)
a guitar player's guitar player you are!!
I wish I could have seen you do this - great!
this is great!
man... I can't touch this.
ole time radio!
Hi, my 17 guitar is 17 equally spaced notes to the octave. So it has 5 extra frets. I tune it like a regular guitar with small adjustments to take into account the different fret placements. you can find pictures of the guitar here http://chrisvaisvil.com/?p=436
nice smooth track - love the chilled vibe. Its all about the Neolithic Revolution!
one of my fav bowie songs - the first side of the album was superb. Like what you've done with this!
thanks for all of the work you and Norm did - it was a lot of fun!
beautiful
great song!!
I like to watch you conduct the synthesizers :-)
but who decides what is real? the dreamer or the dreamed? 2 vocoders? did you grab another microkorg?