song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
I listened to Chris's Orwellioan Cameras while watching the video. It got me thinking about the eye watching us and this is what i came up with.............
This one is more of a reading set to music of part of a piece i wrote about a place i used to live. We used to walk most days down into the valley and i long to be back there, hopefully one day i will ...
There are a few fluffs in the reading…
There is a small flicker of faith that he will make it through. He has found himself in the market place surrounded by people, looking for compassion. There is none. He feels invisible, centered on his own problems but that small flicker of faith…
Faith is assurance of things hoped for, the conviction of things not seen.
When Faith goes to the market, it always takes a basket.
The beginning of anxiety is the end of faith and the beginning of faith is the end of anxiety. [George Mueller…
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at :
http://www.traxinspace…
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
As Dave rightly guessed, Elvis is not dead. He is alive and well living in our cellar in Sheffield. He kindly agrees to do a bit for us now and again, as he is getting on a bit now and gets out of breath easily. So here he is possibly for the…
Comments on vaisvil's stuff
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
This reminds me of the material of yours on that radio programme a while back. Most intriguing and clever stuff.
very beautiful!! Love it!
Movie material!
Brilliant composition!
Priceless tones and a bit drunk indeed, i like the sounds your pulling out of the GR-20!
interesting,,,
Drunken tones!
Wild tones.
Am finding your tunings project fascinating - and must say I really like the feel you have captured here. Beautiful piece!
Sounds kind of Christmassy - like the choir voice.
excellent
Comments made by vaisvil
I love what you've done here!!
I enjoyed this performance and compositional idea a lot - nice one!
what a great funky feel!
excellent story!
excellent - you have a poetic soul!
Wow! What an excellent story you wrote for this!! I love your delivery too! This is great!!
I like the arp work - more microkorg here? Have you tried hooking up the supernova to the korg via midi and audio?
excellent!
nice!
enjoyed - nice piano work!
interesting - though why just in the right channel more or less?
great composition!
your voice is just awesome on this!!
a wonderful story!
yes... its live and excellent!
nice work from the two of you.
Do you like your Boss looper pedal? There are quite a few models out there - and mostly expensive - hearing your work makes me lust for one though :-)
very groovy 60's cool sound
a very cool $5 program!!
ha!! great!!