Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
This blues piece uses my Blue Just tuning system (1/1, 15/14, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1). For more on my tuning go to www.johnsmusic7.com
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
Voice & Text(je ne parle): Ivan1984
guitar(looking for a voice): Davy Hamburgers
making sense out of dis'ordre
making sense out of dat'ordre
feeling like a ghost tied
to a railway track
the screaming never stops
i am driven through
with…
Jqscutt had this guitar riff that he sent me and we worked out a song with bass, rhythm, lead and drums over the internet. I posted it for a collab for some key additions. This was added by TiS friends K-Lyd and Coruz. Later, they found Liam…
A slightly destructive children's song... But I suspect that many of you have tried some of the things mentioned.
I have a great idea up in my head
Let's try it out this afternoon
We'll tie the dog up to the sled
Pretend we're launching…
finding meaning in nothing new.
Mon Apr 7, 2008, 1:21 AM
Mood: Lazy
Listening to: "next other" 74:25 min song I wrote
Reading: spacetime bororo of brazil by S. M. Fabian
Watching: tracy like trails into the nite
Playing: Apophysis
Eating: brain…
There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…
Comments on vaisvil's stuff
Beautiful!
Sweet.
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
a very beautiful story,, as told on the keyboard,, well done
It's what Dracula would listen to on he's down time...Nice!
Sleep? We can all sleep in our graves, but for now I hope you keep jamming! Lots of potential with this one!
Excellent music, concept and production. Well done!
Agree with Kirk - emotive in its delicate fragility.
That's really quite beautiful in it's own strange way. Compelling stuff!
Lovely shades of blue. :)
*agree with Norm* *on most things* This is like your favourite bag of nuts.
I don't understand it but I like it. Thanks once again for pushing the envelope for me.
nice jam!
Is there an instrument you don't play? this is great!
nice!
Great, big, edgy perc! Very crunchy!
Beautiful.
Yes, I had never heard of that either. Well done!
Nice, very Bush of Ghosts sounding. Interesting comment, I was not aware. Kavin./Breaking Light/Coelocanth
I'm improv all the time except for a few riffs sometimes here and there.
Comments made by vaisvil
wild story!
excellent! I like the way the congas answer each other.
this is beautiful - I love the slide. Gosh I sound so amateurish compared to you guys (and Kirk, and Bethan, and Tess, and ..... I'm just wow'd .
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
wow - this harkens back to the Beatniks with a motown funk vibe - that is so cool! - I love your voice Reg!!
would either of you have a rpoblem if I added to this?
excellent! The interplay between guitar and percussion is very good.
I notice "voip" - is this what caused SKYPE to crash? excellent!! brutal!
very funky! love the funky keys. what a story!
cool riff!
nice work - I didn't know you were posting pieces here until I saw your link on the JI list.
I *love* this - its excellent!!!
nice introspective piece!
excellent !
indeed very funky!
nice!
this is lovely! What a way to start my day - thank you!!!
if this is a result of that new program I think it is working!!!! :-)
ooooo this is good - a new direction too! I'm really liking this!
such lovely control of your two hands. I wish I could play like you.