Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
Vaisvil (whoever you are!), if you ask Regs, he will quickly tell you that just because I left him doesn't mean he left me. And I still think about him once in awhile. Maybe I'll give him another call someday...
Way to be. This could be Fripp ... I think he would like this.. excellent... Touches.. when I saw the songs image above I was like this is not looking good but it is really good.. and the image totally through me off..
I took the audio of Fumble by Roger Sundström and Cast by Jim Goodin and noche dia los muertos by Kävin Allenson and not now at all 2 by Bill NewBold and using melodyne changed each into a single line midi file and combined the 4 midi lines…
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
I found that depending on the preset the korg is set to and with controlling the korg with supernova II midi controls is awesome in that I can hear something change when I move a knob on the supernova ii but --- recording that and putting it into a different midi system is not like active changes in real time but or control between different systems is so cool have you tried that with kontact and the prophet?
it is great stuff.. === 10:10 the voice unidentified and yet ominous with the bending sounds ... that is what it is .. -19:30 is a neat neat sound besides the conversations going on. at 20:51 it stopped ? so I downloaded it ... and was able to get it to play again the feed just stopped? IDK but I could pick up where it stopped...
This has an interesting, kind of uneasy, but relaxing dissonance to it. Reminds me of something I can't quite put my finger on, but I like it. Like a dreamy castle from some videogame or something.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Frippishly Beautiful
Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
such a large sound it is starting with === nicely mixed.
Vaisvil (whoever you are!), if you ask Regs, he will quickly tell you that just because I left him doesn't mean he left me. And I still think about him once in awhile. Maybe I'll give him another call someday...
no less then intense ---!!
Way to be. This could be Fripp ... I think he would like this.. excellent... Touches.. when I saw the songs image above I was like this is not looking good but it is really good.. and the image totally through me off..
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
awaw
aw
nice work with the knob twirls .. :) that would be a lot of what I did too.. :)
I found that depending on the preset the korg is set to and with controlling the korg with supernova II midi controls is awesome in that I can hear something change when I move a knob on the supernova ii but --- recording that and putting it into a different midi system is not like active changes in real time but or control between different systems is so cool have you tried that with kontact and the prophet?
WOW amazing sounds.
this is great.. --- wow really intense mix here.
it is great stuff.. === 10:10 the voice unidentified and yet ominous with the bending sounds ... that is what it is .. -19:30 is a neat neat sound besides the conversations going on. at 20:51 it stopped ? so I downloaded it ... and was able to get it to play again the feed just stopped? IDK but I could pick up where it stopped...
great work here..
Last be the name and the tonal altering, backward at times.
so mellow I enjoyed this
ok was that a physical change to your voice or by electrons the higher chipmunk like voice?
This has an interesting, kind of uneasy, but relaxing dissonance to it. Reminds me of something I can't quite put my finger on, but I like it. Like a dreamy castle from some videogame or something.
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!