This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
You have me wanting to make scary sounds too...
Very pretty indeed. This would be perfect for Bethan
I'll sing it for you Chris! if you still want that is.... It's really pretty.
Love it!Great stuff! Fit perfectly.
Yes. Just yes.
Keep pushing that envelope! Tell me again, as you recorded this, are you listening to the tuning as we hear it in the recording?
AHhhhHhhhHHhhh!
Interesting tuning. Oddly disturbing and strangely beautiful at the same time
Great stuff there!
Lovely, lovely piece, beautifully balanced strings. A wonderful listen!
Provocative and powerful.
i like it.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
Wonderful stuff guys!
Lovely medieval feel!
Ah, dark shadows indeed! That was gorgeous!
great classic moving organic underbelly piece
Very cool.
Nice and slightly crazy vampirian atmosphere, an interesting song, good work!
Which ferret is the witch ferret?
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!