i like that this is longer then normal by the third minute I am committed to listen all the way :)this song became a fav @ minute 8 was this what you did with that sample of beat things you asked for? Wait I remember this now woe the memories are coming back they are the same yet different. wait i just lost myselves @ about minute 22:22
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us.
I have never heard anything like it, and the percussion, wow.
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
i like that this is longer then normal by the third minute I am committed to listen all the way :)this song became a fav @ minute 8 was this what you did with that sample of beat things you asked for? Wait I remember this now woe the memories are coming back they are the same yet different. wait i just lost myselves @ about minute 22:22
Listening to this takes me far far away to the unknown. i don't want to come back!!! a must listen track!
very nice!
oh yhea!!!! me and my buddy Billy chilling and jamming with the korg! great stuff!
Haha its a line from John Carpenters movie They Live were not really going to chew bubblegum and beat up Vaisvil
I'm here to chew bubblegum and kick ass and im all out of gum
× ×—×ž×“ מ×וד!!
from time to time?..as for this...hmmmnnn very diggable....cool distortion craft 3rd shred.
soo long and yet soooo rewarding. Great trip....
Hey, isn't that George Burns?
That's quite the trip!
It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us. I have never heard anything like it, and the percussion, wow.
A most sympathetic track title and the musical implementation has a proper 'auntie character' too! :-)
cool. Hey, Vais how do you get those pics in the about section?
dang what an amazing sound here, fantastic.
I love the mandolin and the piano together, and Norm's perky percussion is great. Lovely track.
I dig that ebowed electric mandolin! Thanks for carrying me, Chris!
very cool Vais!
Sweet track, guys - I love it!
Very cool - I dig the photo too :)
Comments made by vaisvil
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!