what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
these are the dronishness effects going thru my mind at times..
I have the midi files saved if you would like them? although some of this is performance midi records If I can say that? ;)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Well Reg is a touch concerned about his new love Lorraine who has been missing for last two days and she's not answering his calls and his getting a little touchy about it ....a little insecure to be truthful........................
Who do…
So I'm back at Caffe Lena on Thursday night gearing up for my two songs and a band called "Driftwood" takes the stage (banjo, acoustic guitar, fiddle) and blows everyone away.
Kinda gets me thinking...
And writing...
"Driftwood"
Coming down…
Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.
I wanted to see how much "music" I could get out of one chord and four notes. Sorry that it has a sort of cheesy 80s sound at times, but that's when I started playing guitar and it's hard to reprogram your brain. The chord is Bsus2 and the solo…
Fulfilling a request by Acid
The video is the whole point / show here. Please put into the comment section what you think the occupants of the car you see at 1:00 where thinking. Or alternately the kid on the bike at 1:20.
Can't Stop Myself by Chris (Vaisvil) and the Clones - Gothic Techno-industrial metal - ISDN stereo => from 1996
Can't Stop Myself
the thoughts they in my head
spinning around
the thoughts they eat my head
and rip me down
they want me to do…
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
in a cool darkened lounge
floors above the cityscape
quiet laughter, clink of ice in glass
D min looks into the eyes of G min
a quiet romance begins
sometimes the best things in life are quite simple
(lots of rough sound on this,, not sure…
Comments on vaisvil's stuff
Wild stuff! Great job guys!
Exciting collab! Very intriguing piece!
haha
gotta luv Blago!
This is awesome!
This is trippy good. Like Santana in a blender.
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
This is destined to be my attorney's favorite song: his name is Bob Lawblahb; yes the founder of Bob Lawblahb Law. Great collab, guys!
Ending was fun. Well worth every minute.
I was on for both of these uploads. Less than 2 hours apart. That's freakin' amazing.
Man, that was quick. I've never seen such a thing. OUTRAGEOUS!!!!
Words are one thing, music another, put them together, and whamo. Art.
I might need to use this. Would you mind??
Looks like an El Camino. Sounds like it didn't have an air bag.
Great music!
Loving the music - powerful words.
I love where you took this one. Beautiful.
very very good done vaisvil!
Whew! Well formed and very creative. I expect nothing less from you Sir.
such a good track! I dont know if its coincidence or if I am influenced by the picture of George, but it has The Beatles touch... wich is so very good
Comments made by vaisvil
Reg - he did do something like that one day - and yes it was great!
and the excellence of the music should be overlooked too.
Reg - you are one heck of a story teller! Have you considered writing a novel or short story?
Hi John, I like this one.
you should be creating music for sci-fi films!
I wish AT had a repeat button. I'm downloading this - great piece Norm!
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
your vocal control amazes me - excellent story and song!
Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.
I'm liking this!
this is a cool rocking piece - but didn't you use B maj as a resolution of B sus in there?
yes I am. With *lots* of rosin on the hair.
naw, I have nothing to do with NMC or DJNS. I was a part of 2 star man and that was enough for me!
excellent - and great solo!
more than just paulstretch I'd say - or different. in any case a cool idea!
I like the groove you two get going on this.
and a lovely romance it was.