Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
My goodness, you're clever. I'm completely blinded by the science but I'm not deaf. Amazing sounds!
There is an Indian feel here, which I love and also the music fading out sounds like church bells.
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
I forgot how great this is!
Actually, this is good! You really put that across, brilliant instrumentation as well.
Mm, very poignant. Hadn't heard that before... Really nicely done.
Great choice of a cover. I love George. He's one of my musical heroes. Good job.
Oh nice new piccy! Yeah well, tune's not bad either, ha ha! Cheers Bee
Deeeep, emotional sounds.
pleasant atmosphere of nostalgia
yet another different sound,but wait, subtle classic Valsvil guitar feel hints buy :40. Really good use of vocal samples and a floyish feel
sureabral
Ever heard of Robert Wyatt? Very much that style. Good job.
Yes - I love it! Beautiful morning for some epic prog. Impressive songwriting and production, and excellent work with the vocals & lyrics.
My naked soul embodied in flesh trembles at the self created horrors we all must live with Powerful stuff.
Well, you chose a piece very difficult to sing and you pulled it off. The music is beautifully done and I especially loved the piano.
Great production and very poetic lyrics. Well done.
Hey, nice very nice!! I loved the piano
Lovely textures you've created here! Really nice track!
Great sonic space and execution, BL will be favoriting/dl'ing this.
My goodness, you're clever. I'm completely blinded by the science but I'm not deaf. Amazing sounds! There is an Indian feel here, which I love and also the music fading out sounds like church bells.
Damn, wrinkled shirt's comment is perfect!
guitar complexity with massive sonar layers!
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!