William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
William Newbold recites his poem backed by my viola bowed stratocastor, viola bowed bass and ebowed fender mustang and picked fender mustang and kontakt Rhodes. Yes this is in fact Lost Friendship recycled. I'm doing something for the…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
George's message is everything
I have not done many covers.... this I had to do
but it does not compare to the original
This is from 1983 and is a primitive multiple double tracked recording
yamaha CS-10 monophonic analog synth (for everything…
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
Voice sample
By Incarnadine (http://www.freesound.org/usersViewSingle.php?id=36298)
David C Scott - Loss.mp3 (http://www.freesound.org/samplesViewSingle.php?id=13628)
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
Man, that was quick. I've never seen such a thing. OUTRAGEOUS!!!!
Words are one thing, music another, put them together, and whamo. Art.
I might need to use this. Would you mind??
Looks like an El Camino. Sounds like it didn't have an air bag.
Great music!
Loving the music - powerful words.
I love where you took this one. Beautiful.
very very good done vaisvil!
Whew! Well formed and very creative. I expect nothing less from you Sir.
such a good track! I dont know if its coincidence or if I am influenced by the picture of George, but it has The Beatles touch... wich is so very good
I forgot how great this is!
Actually, this is good! You really put that across, brilliant instrumentation as well.
Mm, very poignant. Hadn't heard that before... Really nicely done.
Great choice of a cover. I love George. He's one of my musical heroes. Good job.
Oh nice new piccy! Yeah well, tune's not bad either, ha ha! Cheers Bee
Deeeep, emotional sounds.
pleasant atmosphere of nostalgia
yet another different sound,but wait, subtle classic Valsvil guitar feel hints buy :40. Really good use of vocal samples and a floyish feel
sureabral
Ever heard of Robert Wyatt? Very much that style. Good job.
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.