This is a chord progression I found when waiting for Debbie to come home.
Left channel is a piano voice via GR-20, right channel my Mustang's own voice through the DOD FX-7
Any collaboration would be welcome.
This is a chord progression I found when waiting for Debbie to come home.
Left channel is a piano voice via GR-20, right channel my Mustang's own voice through the DOD FX-7
Any collaboration would be welcome.
This is a chord progression I found when waiting for Debbie to come home.
Left channel is a piano voice via GR-20, right channel my Mustang's own voice through the DOD FX-7
Any collaboration would be welcome.
It will be interesting to hear what comes out of this music, I shall look forward to it.
One or three spring to mind ...
Interesting how it changes at 1 minute.
This is a chord progression I found when waiting for Debbie to come home.
Left channel is a piano voice via GR-20, right channel my Mustang's own voice through the DOD FX-7
Any collaboration would be welcome.
When love is no longer enough....
Stay Awake
I hear every little sound,
Every breath, hearts beating,
They're breathing....
See the passion in her heart,
A witness of her fire,
Desire....
I feel myself drifting off,
The pillow…
When love is no longer enough....
Stay Awake
I hear every little sound,
Every breath, hearts beating,
They're breathing....
See the passion in her heart,
A witness of her fire,
Desire....
I feel myself drifting off,
The pillow…
that solo at 03'30" is simply awsome! did you have long hair, shaking your head, at time? - and your singing reminds me PiL' love song, don't ask me why :p
When love is no longer enough....
Stay Awake
I hear every little sound,
Every breath, hearts beating,
They're breathing....
See the passion in her heart,
A witness of her fire,
Desire....
I feel myself drifting off,
The pillow…
Haha, this is really catchy! It's been going around my head since it finished, so I'm back for another bite! Love that verse melody against the brooding guitar line - super double extra hooky!
When love is no longer enough....
Stay Awake
I hear every little sound,
Every breath, hearts beating,
They're breathing....
See the passion in her heart,
A witness of her fire,
Desire....
I feel myself drifting off,
The pillow…
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Gorgeous! This has a lot of potential!
Nice!
It will be interesting to hear what comes out of this music, I shall look forward to it. One or three spring to mind ... Interesting how it changes at 1 minute.
Very nice progression - hope you get to develop it further.
PiL was 'Public imag Ltd' with John Lydon as lead singer ;)
that solo at 03'30" is simply awsome! did you have long hair, shaking your head, at time? - and your singing reminds me PiL' love song, don't ask me why :p
Haha, this is really catchy! It's been going around my head since it finished, so I'm back for another bite! Love that verse melody against the brooding guitar line - super double extra hooky!
This is dark and heavy! Kind of like underground shock rock from the 70s! Way cool! Awesome chorus/bridge vocals!!!!!
great tune, lyrics are cool too
5 stars - A bit off your beaten path, but very good. One Mo' time!
i dig it for the lyrics, i dig it for that killer bass coming at 02:01 i dig it for your voice, as "bad" as some might think it sounds, so yes, i dig!
This is kinda adorable. :-)
I really like your voice work and the lyrics as well. And great one-armed drum work!
Not what I expected either. Thought it would be an instrumental. This is such a good song, and it changes mood as it progresses. Oh yeah, good one!
very fine
I ask myself.... How the hell Have I not heard your songs before!?!?!??!! Freaking WOW!!!!!!!!!!!! This is sublime!!!!! Faved!
Excellent! Nice and smooth.
Wonderful work! w;-)
i actually had this for morning breakfast, it was just perfect!
Nice chord changes!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!