A wonderfully jazzy piece played with harmonies to die for, and Norm, of course. This guys is great!

very mellow,, and again nicely done,,it's inspiring to hear all your different works

very nice Chris,, notes are very clear,,, well played,,improv can be a lot of fun

very beautiful sounding

beautiful piece, and maybe my fav, of your microtonal repertoire..

Sweet!

so very nice!

Yes, most relaxing. Lovely piece!

Rainstorm music! Beautiful...crazily potent!

Spartan with a complicated sound - That is pretty damn cool.

Very cool.

Delicate and serene. Beauty indeed.

A masculine piece with an oriental flavour. Most interesting and different.

Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.

So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?

Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."

You actually tune the Fender Mustang to the Sorog tuning, right?

really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played

Whew! That's a dandy production right there. Some great changes and that piano is sterling.

I still love it.

nice vamp!

Such a huge expanse is painted here!

A cool microtonal experimental piece!

This is beautiful!

starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!

This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.

I really like how unusual this sounds

beautiful in its sadness

really well done!

this may be long, but it isn't empty. I really, really like this one!

it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work

This is cooler - the SE-02 seems to be quite a nice synth~!

love the runs in this piece! Very powerful!

awesome!!!

I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!

But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.

excellent!

Beautiful!

Lola has my respect. What synth was slept on?

Its why they fly in cris-cross patterns!