Brian sets an irresistible trap for catching some wild Vaisvil saxamaphone. Well done!

love it guys. Norm the symbol crashes are perfect

I knew you wouldn't be able to resist :-)

Wow, very provocative, especially given the title. Great composition - beautifully played!

I don't have a smoking jacket, but I've just been misting the garden with a glass of red in my hand, does that count?

I agree reefwalker.. this is a good one for Sister Savage to sing

Brilliant! Yeah, love the slinky coolness!

I could imagine some Savage on this...

excellent!!

Just keeps getting better and better. Best played with your smoking jacket on and the lights low.

Hi again,,, i hope you realize that i used simple as a complement,,,many of the best compositions (Bach aside) are based on extremely simple motifs, and then explored (Beethoven comes to mind) that piece was simple,, and at the same time beautiful and interesting (not always true of simple stuff) the gift is to be able to be simple and yet still be sublime, or interesting, or dramatic, or any number of cool things at the same time,,, you have that gift,, often and over and over i hear such cool stuff coming out of your music,,, for me being able to be simple and yet wonderful at the same time is about the highest achievement a musician can be,, ,, anyway i enjoy you music very much Richard

Electrifying 4 way collab. Real cool. Great mix GMO.

Yeah! very nice.

This one hasn't played for me in days. I keep trying though. Insanity I guess.

this piece is just getting better and better, each time i listen - must have been quite an interesting talk you had with the big guy..

I've always found that talking to God involves much more listening then talking. And listening to this is a pleasure, as my ear matures to appreciate micro-tonal work. And, I suspect, you will miss the view from the undisclosed location.

nice Chris,,, drifting quietly through a simple theme can be a lot of fun yes?? i enjoyed this (and simple is a complement, from my stand point, it's always what i try to aspire to) well done R

Awesome.

very beautiful

funkadelic! awesome!!

Man alive!! this is astounding!! what a trip!

As for the song icon for Don't Look Down - a friend made it for me and I am not sure what he used. Subway is a good bet.

Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.

this is wonderfully sad and mysterious!

beyond just excellent! This is a trip through space to another place, time, and existence! I can't say enough!

Excellent!!

Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.

Beautiful!! In composition and execution.

Nice tune - so this is a cover?

Nice tune - like the production

nice an heavy!

entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!

Awesome!!! This is so perfect!

nice, really nice!

Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!

I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation

nice progression

welcome! And excellent track!

Aengus is all Ethno 2.

I love your voice reef. Excellent tune and production - your acoustics sound especially nice.