This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
Wooooooooooooooooooooooooooooo, over the top and off the chart (what ever that means), this music creates a wonderful feeling,, it walks in beauty as the Navajo might say
(my apologizes to any real such persons,, i am currently on a tony hillerman kick)
well done friends R
this is an amazing work,, a standout (at least my opinion) amonst your many many fine pieces...
as Alister says it is well balanced,, and oh so interesting,, the fade in and out of the guitar and ? is very very brilliant, it really pulls you in,,, well well done R
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.
Just another time traveling love song from your ole Uncle Paul.
Mostly MIDI synths and some analog bass and screaming Ibanez.
Drum loops too. I was going to drum it, but these two loops really kinda drive it along.
Enjoy.....
filled…
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
I had some lyrics describing a late nite cake baking experience kicking around. If I have a lot on my mind, dirtying every dish in the house seems like the right thing to do.
I stole some cool percussion from Norm and went to work. I also…
(Bowers, Rainbowtruth) from the LP "Over the Counter and Through the Woods" circa 1997.
Barnett: Lead vocal/guitar
Osborne: Drums/backing vocal
Bowers: Bass/spoken vocal
Duff: Guitar
One of my favorites. Don't be fooled, the sampled snare…
I locked myself/was snowed into a cabin for a month on the shores of lake Michigan, and turned it into a one man studio. Piblokto is a form of hysteria mainly found in eskimos, sometimes triggered by isolation during which the victim will find…
They recon if you go down any mine in the world you'll find a Cornishman there working.
Colin did the vocals and twelve string
Matthew did Balron, whistle, backing vocals ect.
I did the acoustic and backing vocals.
They recon if you go down any mine in the world you'll find a Cornishman there working.
Colin did the vocals and twelve string
Matthew did Balron, whistle, backing vocals ect.
I did the acoustic and backing vocals.
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Comments on vaisvil's stuff
Neat-o!
so nice.. feels like a gentle summer breeze! and another great collab..
Wooooooooooooooooooooooooooooo, over the top and off the chart (what ever that means), this music creates a wonderful feeling,, it walks in beauty as the Navajo might say (my apologizes to any real such persons,, i am currently on a tony hillerman kick) well done friends R
this is an amazing work,, a standout (at least my opinion) amonst your many many fine pieces... as Alister says it is well balanced,, and oh so interesting,, the fade in and out of the guitar and ? is very very brilliant, it really pulls you in,,, well well done R
very good work and sound
excellent.. it goes in so many directions and yet so well balanced all the way! great collab'!
Still beautiful!
Beautiful!
verry nice love the guitar
Wow... REALLY nice!
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
Comments made by vaisvil
sounds like my ferrets playing!
excellent!
yes! love the sounds here
this is nice indeed!!
one of my personal favorites too :-)
Dude! You own this place!!
Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.
I'll see what I can up with.
nice work!!
this is excellent
excellent!! Love the sweeps. This is nicely setting Norm's percussion - cool tune!
nice jam - hot guitar - progressive rock
wild ride!
very cool electro!
downloaded to play again, and again!
yes, this is satisfying - very nice.
excellent groove - it will be interesting to see what AT folks can do with it. (I hope!!)
now *that* was satisfying!
Hi there! Yep - it is all GR-20 and guitar. I have done work with driving soft synths and my Korg MS-2000 on other pieces.
wow this is fabulous!