This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
Year: 2008
Album:
Singles
Artist's description:
Many years ago a brave soul uploaded several recordings of his sister's recital to a newsgroup I created for amateur musicians. I asked for, and he gave, permission to use the recordings. Well…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Damn, that's awesome man. Rockin tune...
Complex and cool.
ahh, yes, very tempted! JRR
very cool.... is that a subway escalator?
A classic. Post the lyrics! Perhaps you can convince Din to post a few things on AT... his percussion & mix mastering really are world class.
so cool and fun
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
great...bring on the desecration... thank you for the comment on my song...
so cool and fun!
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!