Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
This is a demonstration piece in A minor.
The left channel is a Korg MS 2000 voice with a split keyboard that is driven from the Roland GR-20 as I play my guitar that you hear in the right channel + GR-20 piano - all played against a session…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato?
anyway well done Richard
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
I agree! Smooookin'!
Really nice, dreamy composition, but too short!
Nice one!
Pretty snappy beat. Very well done. It really is a clean mix. Sounds great.
ok i just read the about section, now i get it more R
interesting...i'll have to look up the ms2k and gr-20 to know what going on/being done..
This makes me want to puff the magic dragon!
Wondersounds!
Medieval with a twist. Cool! w;-)
Wow! I really like your style. Great instrumental work. johnbee.
wow, cool track I like this one.. still pondering just how deep the variety of your stuff is. . Is there a genre yet unturned?????
Excellent arrangement mate the mix sounds good to me. This is a great piece any one who is into piano should do this one. Brilliant.
very very well done!
nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato? anyway well done Richard
That's it- I'm buying a bottle of Jack Daniels later today!
Raunchy.
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
very hot and cool!
:)
ummm, ummm...I love this track! Excellent work! w;-)
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!