A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
impressions
4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes
7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?)
9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there?
14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed
17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed..
overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
Comments on vaisvil's stuff
just went into this one after listening to Nebula, quite a change up, good creepy feel stays with you
impressions 4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes 7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?) 9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there? 14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed 17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed.. overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
Great beat mate nice one great mix. Thanks for your recent comments mate. This is a great track mate dig it.
Beam me up Scotty! BEAUTIFUL! w;-)
Whoa! That's menacing. Real cool gentlemen. Some wild sounds.
EXCELLENT! w;-)
This is...wow! A theme song for my favorite sky object.
Immense!
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
Mmmmm ... absynth
Ooh, only a few minutes in but this is completely a stargazing soundtrack! And loving the space theme.
love the picture too.
This is so lovely.
Hypnotic!
that was very nice
nice, i enjoyed listening
Very cool effect, great piece. Also, thanks for the process explanation, interesting.
AhHH- A good dose of sonic violence. I needed this this morning! Very cool!
intense and edgy
Whoa! Raise the MF ruf!
Comments made by vaisvil
this is an oddly compelling piece - its like an electroband kidnapped Weird Al to jam on accordion. The production clarity is excellent too.
I love the sound of this - beautiful!! What do the pedals do in a pedal steel guitar?
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!
wild story!
excellent! I like the way the congas answer each other.
this is beautiful - I love the slide. Gosh I sound so amateurish compared to you guys (and Kirk, and Bethan, and Tess, and ..... I'm just wow'd .
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
wow - this harkens back to the Beatniks with a motown funk vibe - that is so cool! - I love your voice Reg!!
would either of you have a rpoblem if I added to this?
excellent! The interplay between guitar and percussion is very good.