Chris, this piece is astoundingly good, it has been perfectly entitled! Plays havoc with the imagination. Wonderful stuff! Waiting to hear how you end it ... ah, the eerie fade out!
Bee
there was this band I was in a long time ago.... when I was in high school. We sound like speed rockers!! :-)
Moe - drums
Frank - bass
Chris - guitar
Tales of Yesteryear
My Lady
Cover of Paranoid by Sabbath
there was this band I was in a long time ago.... when I was in high school. We sound like speed rockers!! :-)
Moe - drums
Frank - bass
Chris - guitar
Tales of Yesteryear
My Lady
Cover of Paranoid by Sabbath
there was this band I was in a long time ago.... when I was in high school. We sound like speed rockers!! :-)
Moe - drums
Frank - bass
Chris - guitar
Tales of Yesteryear
My Lady
Cover of Paranoid by Sabbath
Speed Rockers Traveling in time .....Good stuff....that's some pumping bass and Moe is no slouch on the drums....and guitar and vocal sounds great Chris..loving it......I'm in for the 20 minute ride......Oooh yeah!!!
The Seventh Rook is a piece composed for solo microtonal piano in the Rook scale commissioned by John O’Sullivan who devised the scale. Rook is a subset of Raven version temperament. More tuning information is at John’s website. The score is here…
The Seventh Rook is a piece composed for solo microtonal piano in the Rook scale commissioned by John O’Sullivan who devised the scale. Rook is a subset of Raven version temperament. More tuning information is at John’s website. The score is here…
more from that band
Moe - drums
Frank - bass
Chris - guitar
Cover of "Just Want to Make Love to You"
Cover of "A National Acrobat"
Cover of "Snowblind"
Disbeliever, an original that I don't think saw public performance.
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
Trapped in Dreams is a dark ambient microtonal piece for processed alto voice, processed bowed cymbals, processed bowed china cymbals, processed bowed DIY electric cello reference http://chrisvaisvil.com/?p=3156
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
A sort of a sitar/bagpipe duet. I looked it up, what a strange instrument but this composition is perfect for it. You do astound me Chris! Bee
Chris, this piece is astoundingly good, it has been perfectly entitled! Plays havoc with the imagination. Wonderful stuff! Waiting to hear how you end it ... ah, the eerie fade out! Bee
we all do
Really cool! Your range of musical expression is amazing!
That is a Speedy version of paranoid ....great job on all three....more ...more
Ooh yeah my lady......
Speed Rockers Traveling in time .....Good stuff....that's some pumping bass and Moe is no slouch on the drums....and guitar and vocal sounds great Chris..loving it......I'm in for the 20 minute ride......Oooh yeah!!!
Most unusual, well played too. Bethan
Sounds lovely Chris. Beautifully composed picture too. Bee
Did John play this? Excellent work!
Perfect for a Sat' afternoon, after the grocery rush. "A national Acrobat" kicks ass!
great track and subject matter is something I can relate to. I am assuming your situation has improved.
I love this song. Amazing track.. strong vox in this. POWER
great tune, fine collab gents!
suspenceful i must say nice job
Nice track, Vaisvil. It feels like two competing ideas that drift back and forth between uneasy and dreamy.
Very nice. Sounds like the music track for a Chaplin or Keaton silent movie.
Beautiful .....
Well played.
Very tasty track. I like!
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!