Female vocal with cello section in Pythagorean tuning
Public Domain poem from T.S. Eliot
III
You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
interesting angular reverseness, almost visual and like poetry. love how it leads into a cluster complementing the flat-planed stretches, if that makes sense to you :) in and then out of confusion...lovely outro
Piano - Soprano in Pythagorean Tuning - poem by TS Eliot (in public domain)
I
The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy…
Piano - Soprano in Pythagorean Tuning - poem by TS Eliot (in public domain)
I
The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy…
An experiment were I string together a few files generated by text prompts in Stable Audio. Interesting - but they have serious work left to do and yet they are selling this for $12 / month to create 90 secs of audio - I used the free option and…
Harp and Female vocal in Just Intonation with 7 limit tritone.
Just intonation with a 7-limit tritone
12
16/15
9/8
6/5
5/4
4/3
7/5
3/2
8/5
5/3
9/5
15/8
2/1
Harp and Female vocal in Just Intonation with 7 limit tritone.
Just intonation with a 7-limit tritone
12
16/15
9/8
6/5
5/4
4/3
7/5
3/2
8/5
5/3
9/5
15/8
2/1
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared 😳
Abstract and ghostly.
Like
Soaring loveliness with Karen Carpentet likeness on top!
interesting angular reverseness, almost visual and like poetry. love how it leads into a cluster complementing the flat-planed stretches, if that makes sense to you :) in and then out of confusion...lovely outro
so very intense 000 OOO...
nice mixing.
This is quite lovely.
Beautiful, thank you for sharing 🙂
Still a really excellent manipulation here
Very cool!
Wow 😲😳 good you have blown my mind 🤯🚀👍
AI technology gives me the shudders
great contribution to consonance
Sounds great!
pensive and dynamic all at once
not as good as Brand A but still really good
so very cool --- :) thanks for making this.
Awesome sounds Mr. V
Ohhhhh yes I'm feelin this
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!