not even Dan Folgelberg escapes my ruinious covers.
AS THE RAVEN FLIES (D. Fogelberg)
1972
Intro w/ Lead |: Am C F Em :|
Am C D F
I see the raven's made her nest in your eyes
Am…
nice,,, i like the way it sometimes seems to hang in the air,,,a drift,,,,on the musical breeze... ( and yes i believe i would enjoy a bit of a guitar colab) r
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
12 string
bass
vocals
drum loops (unfortunately)
if you want to play with this - or add a part - or substitute a part the tracks are here
http://clones.soonlabel.com/public/4collabs/Music.rar
the password is "sound-in"
all I ask…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
I got a new amplifier and instead of doing what I should have been doing I did this. It gets a little crazy in the middle and its microtonal so the vocals are gonna sound out - but I enjoyed it. Yeah, those be drum loops. 15 notes per octave.
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Now that's a trip Chris ...........
Gives me the sensation of being brainwashed. Nicely done.
Great song and album. Great delivery Chris!
nice,,, i like the way it sometimes seems to hang in the air,,,a drift,,,,on the musical breeze... ( and yes i believe i would enjoy a bit of a guitar colab) r
very nice
Yeah! Nice combinations here Chris :-)
HUGE.
Love the drama.......
Chris ,, quite dramatic! and really nice,, r
nicely done you all,,,, what a wonderful mix with the video and the music,, and yes indeed you are on fire
Rockin. Love the guitar.
This shoulda been on Led Zeppelin's last album... LG
This is just simply awesome! I love it! Piepod LG
Excellent! Proves you can rock with 17EDO.
A rockin busy track. Well done to everyone and loved the NASA footage.
Dark, reminds me of Soundgarden. Good stuff.
With the heaviness!
Well, rock AND roll. Out of this world, off the radar and pretty damn hot! Fantastic collabs, fellas. Vocals are dynamite!
FIRE!
great piece of work all round - everything gels for me...GREAT!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!