perhaps it's because im a bit vintage myself,, but i really think you have a great feel/vibe/style on this one,,, but chris i keep getting a bug/halt at about 1:26 into it,, i would like to hear it all,, r
this is a typical Buddhist belief I find as I study the lotus sutra... It is said by an individual studding the lotus sutra the world will rise against that individual as they did Buddha at the time it was spoken,.. It seems so serious in all yet still the oneness of everything is more positive these days then before..this is the fifth set of five hundred years since the Buddha ..at the end of the cycle. I find this similarity between The Buddha and The Christ and various soothsayers, and profits alike.
soooo Chris did you like me,, stay up late last sunday watching?,, i even considered going over to JPL,, to watch,,,it's pretty close, quite exciting!! this is well done, i enjoyed this a lot,, holst has been on my re listen to list,, this is inspiring,, r
I have combined two of your works together (because I wanted to hear both of them but the time allotment to listen is limited by sleep and waking experience et,c.) but this went well with http://chrisvaisvil.com/?p=1781 the electronic dream #1 Even still I did not get the time to listen to both of them before the clock was beyond the sound level decreasing time at nite. there was the minor problem of time sync effectiveness that was out of sync. I am looking into such problems in my music these days.
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
looks like something from my local biotanic garden,, is the color true? i like the feeling of this piece...not sure how to say it, but i like it..... go figure,,,,
They are noisy little bugs aren't they?
Nice rhythmic playing here Chris. beautifully done!
I have a fair sized collection of bugs and insects,
which I thought would interest the grand children one day, but of course, they can't be heard.
Oh, look at his dear little face!
Interesting chipping noises I heard in there.
A very vibration rich, most eerie, especially the long, fading note at the end.
is a mash featuring Benjamin Smith (piano), Paul Mimlitsch x 2 (bass recorder and bass clarinet), Lydia Busler-Blais (horn), and myself (percussion) – all tracks manipulated – the tuning is nominally 12 equal, however, there is enough pitch bending…
Ooo, I see this one is going to be an epic! headphones in place, ok go .....
That was a journey into the secret hive! Beautifully done. I can appreciate the work that goes into ambient music, too clever for me!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
Yeah it cuts off for me too. Rockin' garage stuff for a minute and a half anyway.
perhaps it's because im a bit vintage myself,, but i really think you have a great feel/vibe/style on this one,,, but chris i keep getting a bug/halt at about 1:26 into it,, i would like to hear it all,, r
Stunning! Exciting, full of atmosphere. Exceptionally well done.
Rockingprog.......sounds like your having a great time......
this is a typical Buddhist belief I find as I study the lotus sutra... It is said by an individual studding the lotus sutra the world will rise against that individual as they did Buddha at the time it was spoken,.. It seems so serious in all yet still the oneness of everything is more positive these days then before..this is the fifth set of five hundred years since the Buddha ..at the end of the cycle. I find this similarity between The Buddha and The Christ and various soothsayers, and profits alike.
sounds like your having some fun here,
reminds me of a few aphex twin tracks
soooo Chris did you like me,, stay up late last sunday watching?,, i even considered going over to JPL,, to watch,,,it's pretty close, quite exciting!! this is well done, i enjoyed this a lot,, holst has been on my re listen to list,, this is inspiring,, r
I have combined two of your works together (because I wanted to hear both of them but the time allotment to listen is limited by sleep and waking experience et,c.) but this went well with http://chrisvaisvil.com/?p=1781 the electronic dream #1 Even still I did not get the time to listen to both of them before the clock was beyond the sound level decreasing time at nite. there was the minor problem of time sync effectiveness that was out of sync. I am looking into such problems in my music these days.
That is powerful...well.done.
ahhh the five/four time is killer - liking this! It's from the MIDI right?
cool tune and photo.
Would fave again still inspiring .......
looks like something from my local biotanic garden,, is the color true? i like the feeling of this piece...not sure how to say it, but i like it..... go figure,,,,
Sorry Chris, those comments were me, I'm always forgetting to say! Bethan
They are noisy little bugs aren't they? Nice rhythmic playing here Chris. beautifully done! I have a fair sized collection of bugs and insects, which I thought would interest the grand children one day, but of course, they can't be heard.
Thay sound real, are they? Well played!
Oh, look at his dear little face! Interesting chipping noises I heard in there. A very vibration rich, most eerie, especially the long, fading note at the end.
Ooo, I see this one is going to be an epic! headphones in place, ok go ..... That was a journey into the secret hive! Beautifully done. I can appreciate the work that goes into ambient music, too clever for me!
Gorgeous!
Comments made by vaisvil
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!