an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).
there should be dialogs about these songs in chat areas on each page sometimes, betting that is what is going on at the site of yours where you post. :)
an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).
an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).
If the baby falls
The crib shall age empty
all of the earth
which ever lived
creation everyday
if the baby falls
it would leave the crib quite solo
The sources who join to nurture cries and giggles
Won't change diapers anymore
If our baby falls…
If the baby falls
The crib shall age empty
all of the earth
which ever lived
creation everyday
if the baby falls
it would leave the crib quite solo
The sources who join to nurture cries and giggles
Won't change diapers anymore
If our baby falls…
If the baby falls
The crib shall age empty
all of the earth
which ever lived
creation everyday
if the baby falls
it would leave the crib quite solo
The sources who join to nurture cries and giggles
Won't change diapers anymore
If our baby falls…
The lyric is ambiguous certainly but reading Evan's explanation, it is now clear. Thanks!
The guitar playing is gorgeous.....
More of that please, she said cheekily!
very cool Chris,, i find this very interesting,, you have great depth/sense of space in this, it's kind of neat viewing the photo and listening,,,,,nicely done
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
good jam
there should be dialogs about these songs in chat areas on each page sometimes, betting that is what is going on at the site of yours where you post. :)
Trance inducing, love it
It certainly resonates! Are the delicate hammering noises the forge sounds? Then there are the buzzings! Or am I mistaken? This is very well done.
Weird and wonderful!
Different and interesting.
neat-0! Illegal Alien
Yes - I love it.
majestic!
Suspenseful and Interesting. M O R E W I N E
The lyric is ambiguous certainly but reading Evan's explanation, it is now clear. Thanks! The guitar playing is gorgeous..... More of that please, she said cheekily!
very nice
Psychedelic!
Ah lovely, just my cup of tea! I think she had a bottle by 3 mins! Bethan
Sounds like the story of a volcanic disturbance until peace reigns again. Spectacular! Bee
Mmm, well I am a melody girl really, but can appreciate the work and expertise that has gone into the making of this track. Nice fade out!
I can't think what that photo is about. I have a few ideas but .... Beautiful music Chris, so well played. Bee
I like what you did here - This tune deserves to be somewhere, like a sci-fi movie maybe.
very cool Chris,, i find this very interesting,, you have great depth/sense of space in this, it's kind of neat viewing the photo and listening,,,,,nicely done
Revisited - I still like it!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!