Remastered from 4 track circa 1987. The backing track was shoved into one track (drum machine, casio CZ-101 synthesizer bass, rythmn guitar) - the vocals are buried because I wrote a song that was way way too high for my range. The backwards-ness…
Ever since I started listening to microtonal music I feel like my ears are getting 'cleansed' from the typical equal tempered tuning. ( I'll always enjoy the works of genius in equal temp......but for now it would be hard to go back). Your site is fantastic because you have provide a good example of no stylistic limitations.
I teach at a private music studio and will recommend your site.
Mindaugas Rex Lithuaniae is a piece for string orchestra – Mindaugas was the only King of Lithuania.
details and a picture
http://chrisvaisvil.com/?p=2267
Mindaugas Rex Lithuaniae is a piece for string orchestra – Mindaugas was the only King of Lithuania.
details and a picture
http://chrisvaisvil.com/?p=2267
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Absolutely love Buddy Guy. And the cover, though tbh this reminded me more of Fripp's over-driven guitar in 21st Century Schizoid Man, with more of a mid and 'tail' to it (I don't think I know what I'm talking about here). Great vocals!
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99
and this Klingon band is interesting...
http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
Comments on vaisvil's stuff
A stunning piece Chris. Builds with tension making anticipation. Love the glass marimba sounds. What a gloriously peaceful photo. Ah bliss!
based on the premise if we build it they will sec-come...The sounds speak of construction and excess in go-rash glass and steel
Golly, what a concrete jungle that photo shows! This is a very strong piece with sudden splashes of volume which are very effective.
Very good, I think because 17EDO has good fourths and fifths, and the usual CV touch makes it even better, John.
8:13 IN.....i am loving this.......
hey, i think "white boy with no rhythm" is a good enough excuse. ;)
I missed this one Chris. A really great rock song. The backing is punchy, solid and I think, right up there.
Quite the adventure - great tension!
Really cool sounds, nice one
Nice was that!
Chris does Blues! Good song and strong guitar playing.
A delicate composition, very pretty. The photo reminds me of what I didn't like about Houston.
This is expressive and solid. Bound together in the light of lights.
Love the flute it gives it a certain magic.....
Such a clear flute. An inspiring piece, strong and meaningful. A perfect partner for the reading.
Excellent!
Ever since I started listening to microtonal music I feel like my ears are getting 'cleansed' from the typical equal tempered tuning. ( I'll always enjoy the works of genius in equal temp......but for now it would be hard to go back). Your site is fantastic because you have provide a good example of no stylistic limitations. I teach at a private music studio and will recommend your site.
Menacing!
Sounds so melancholy. Got me picturing the Sahara for some strange reason. Strong and impressive ending.
Absolutely love Buddy Guy. And the cover, though tbh this reminded me more of Fripp's over-driven guitar in 21st Century Schizoid Man, with more of a mid and 'tail' to it (I don't think I know what I'm talking about here). Great vocals!
Comments made by vaisvil
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99 and this Klingon band is interesting... http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is an oddly compelling piece - its like an electroband kidnapped Weird Al to jam on accordion. The production clarity is excellent too.
I love the sound of this - beautiful!! What do the pedals do in a pedal steel guitar?
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!