The Broken Cathedral of Christchurch is an ambient poly-tuning piece using 11, 12, and 19 notes to the octave. The instruments used are a Korg MS2000 synthesizer, 19 edo electric guitar (several tracks), and 5 string bass – all with liberal…
The Broken Cathedral of Christchurch is an ambient poly-tuning piece using 11, 12, and 19 notes to the octave. The instruments used are a Korg MS2000 synthesizer, 19 edo electric guitar (several tracks), and 5 string bass – all with liberal…
The Broken Cathedral of Christchurch is an ambient poly-tuning piece using 11, 12, and 19 notes to the octave. The instruments used are a Korg MS2000 synthesizer, 19 edo electric guitar (several tracks), and 5 string bass – all with liberal…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
like this very much,, kind of a bummer in sentiment,, but then again,, it kind of find it fits,, thank goodness for the net, at least i can look up apocrypha
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Excellent.
Wow - fascinating photo to accompany this richly atmospheric track.
Nice. Reminiscent of Xela
Pretty cool! Love your delivery.
PROG! Crazy great vocals.
Beware the bubbling synth!
This won't play for me, Chris. And I'm getting a strange list of code where I suspect an accompanying picture should be.
Slippery melodies here - ominous sounds. Perfect title!
excellent guitar fx :] Atmosphere in spades. Very nice!
Coo Chris, that was quite exciting! Sounds a bit tribal! Yeah, great bod, shame about the face!
Chris that is a tremendous vocal. You make a great rockin band.
Wow, those vocals are crazy great! Fabulous Jim Morrison vibe! Woah!
Nice improv! Didn't know that the Ebow would work on 12 string
Brilliant.....love that emotion....scream it out
now that's a trip.......
What fun!!
Holy moly, what a rocker! Sounds like you're channeling Bob Scott there dude!
like this very much,, kind of a bummer in sentiment,, but then again,, it kind of find it fits,, thank goodness for the net, at least i can look up apocrypha
Gotta love goodwill, you never know what they will have....
Very nice!
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?