This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
I think that for the type of piece, this is in tune - almost. A little tighten here and there, it would be perfect. Playing in harmony most of the way through, well it has to be in tune!
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
This is electronic tending towards ambient
The name is a reference to the apparent re-run of The Gods Must be Crazy
http://www.msnbc.msn.com/id/45770560/ns/technology_and_science-space/
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
I think I'm too used to hearing equal temperament. Sounds out of tune to me in places but not unpleasantly so. Will have to listen a couple more times
That's some tonkin' honkin'
Very nice "pure" harmonies! Ooo, lovely high notes!
and a Ho!!! Ho!!! Ho!!!! HAPPY CHRISTMAS ALL!!!!!!!
Most of the notes are on pitch but some are maybe a few cents flat? I agree with Sister.
I mean, it is in harmony, therefore, is in tune! Almost!
I think that for the type of piece, this is in tune - almost. A little tighten here and there, it would be perfect. Playing in harmony most of the way through, well it has to be in tune!
I agree with Norm 9/10 loved the tune..
Ah, so lovely...the intro was especially soul-sweetening.
Ooh!! Intriguing flavours! Very nicely done! Merry Christmas Eve, Chris.
To answer your question, it doesn't sound completely in tune to me in places - but the sounds are very compelling.
Well ... I have even more appreciation for the piece now that I know what you are up to. I think it's exceptional.
Overall it sounds good but one of the higher notes in the scale sounds a bit iffy to me. Or am I imagining it? What's the scale?
9/10 "in tune".
I like it. It reminds me of Aaron Copland. I can see using something like this behind a video, or a mood setter in a collection of musical pieces.
sweet stuff here.
Twinkly, sparkly and mysterious!
Ooo, and a tinkly one too! Merry Christmas Chris!
Lovely Christmas feast of harmonious goodies!
up earlie and now very Christmassy .......thanks
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!