This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
I think that for the type of piece, this is in tune - almost. A little tighten here and there, it would be perfect. Playing in harmony most of the way through, well it has to be in tune!
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
This is electronic tending towards ambient
The name is a reference to the apparent re-run of The Gods Must be Crazy
http://www.msnbc.msn.com/id/45770560/ns/technology_and_science-space/
After Sebs football today I went up into the loft searching for an old guitar a friend gave me a few years back. When I lifted the lid of the case I saw that the tone switch was pulled off leaving bare wires. I couldn't remember if it worked or…
I don't always start a new project in my recorder , so this is the result of recording a jam with Paracosms and then hearing what was already on the rest of the track (probably from a couple of months ago?) when I stopped recording...I liked the…
Pleased with this orchestration and the Tina Arena arrangement of this iconic Kate Bush classic...have always loved it! Produced and performed by myself, except for the stunning vocal performance by Tina of course .....
(Original Song…
Pleased with this orchestration and the Tina Arena arrangement of this iconic Kate Bush classic...have always loved it! Produced and performed by myself, except for the stunning vocal performance by Tina of course .....
(Original Song…
This song was inspired by Roger and Chris's works, so I have made a voice synth mix for the DADA event at sound in.. :) mmmm all I really say with voice is dada but yeah I might of snuck in a tada IDK a closer listen will tell-
more-east-coast-meets-west-coast-snsthesis by Chris + the runout jig by James + supa polynova 1-07 by Bill - Songs mixed together,.. Chris's song is stretched to fit the size of the other songs...
more-east-coast-meets-west-coast-snsthesis by Chris + the runout jig by James + supa polynova 1-07 by Bill - Songs mixed together,.. Chris's song is stretched to fit the size of the other songs...
Since you’ve gone
It’s all gone south
The dunces took over
Stupidity rules
They open their mouth
To prove they’re fools
You didn’t believe in god
And made me wonder how
If there was one
How could he allow
What evil has been done…
Comments on vaisvil's stuff
I think I'm too used to hearing equal temperament. Sounds out of tune to me in places but not unpleasantly so. Will have to listen a couple more times
That's some tonkin' honkin'
Very nice "pure" harmonies! Ooo, lovely high notes!
and a Ho!!! Ho!!! Ho!!!! HAPPY CHRISTMAS ALL!!!!!!!
Most of the notes are on pitch but some are maybe a few cents flat? I agree with Sister.
I mean, it is in harmony, therefore, is in tune! Almost!
I think that for the type of piece, this is in tune - almost. A little tighten here and there, it would be perfect. Playing in harmony most of the way through, well it has to be in tune!
I agree with Norm 9/10 loved the tune..
Ah, so lovely...the intro was especially soul-sweetening.
Ooh!! Intriguing flavours! Very nicely done! Merry Christmas Eve, Chris.
To answer your question, it doesn't sound completely in tune to me in places - but the sounds are very compelling.
Well ... I have even more appreciation for the piece now that I know what you are up to. I think it's exceptional.
Overall it sounds good but one of the higher notes in the scale sounds a bit iffy to me. Or am I imagining it? What's the scale?
9/10 "in tune".
I like it. It reminds me of Aaron Copland. I can see using something like this behind a video, or a mood setter in a collection of musical pieces.
sweet stuff here.
Twinkly, sparkly and mysterious!
Ooo, and a tinkly one too! Merry Christmas Chris!
Lovely Christmas feast of harmonious goodies!
up earlie and now very Christmassy .......thanks
Comments made by vaisvil
Great music Brian and company!
really quite like this one! floaty, bouncy but has some nice grit layered in!
Rock on Reg!
Interesting sounds - what synth are you using?
How did you get Tina's vocal?
This is fantastic!
man.... you make the piano speak!
OMG I hate this place! You've made it in psychedelic salad!
excellent!
excellent rolling D's!
Rockabilly Awesome!
Thanks for mashing!
certainly gets a vibe going!
A stormy composition Ben that rolls on the listener like waves - excellent!
Yes indeed! Wonderful piece!
Just awesome!
A lovely aural dream!
astounding work! - love the coda especially
ahh then the actual sysnth pad ! - excellent!
nicely done! I like how the reverse guitar becomes a pad - it has shades if Magical Mystery Tour to my ears.