Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again, he never said a word.
As if he hadn't heard.
And…
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again, he never said a word.
As if he hadn't heard.
And…
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again, he never said a word.
As if he hadn't heard.
And…
I found the image at Rinkie's Blog
From this past weekend's improvfriday
Lovely piano from Norbert Oldani - 5 string bass from me. We only wish we could have performed it live for you...
I found the image at Rinkie's Blog
From this past weekend's improvfriday
Lovely piano from Norbert Oldani - 5 string bass from me. We only wish we could have performed it live for you...
I found the image at Rinkie's Blog
From this past weekend's improvfriday
Lovely piano from Norbert Oldani - 5 string bass from me. We only wish we could have performed it live for you...
My Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 mic behind the amp and Zoom H2 in front - dropped the tracks into sonar and panned a bit. I also midi recorded the guitar and used the midi to drive upright bass, albino…
My Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 mic behind the amp and Zoom H2 in front - dropped the tracks into sonar and panned a bit. I also midi recorded the guitar and used the midi to drive upright bass, albino…
Only my Fender Mustang + Marshall Amp + I dragged out the whammy bar - AKG D950 behind the amp and Zoom H2 in front into sonar and panned a bit. Yes I reach for that E to G movement again. If you are dissatisfied I will refund your money.
I want to be able to do that beginning ....... love the wild sound of it... one day (Reg learning guitar)...now where was I 1st finger on the 5th string 2nd fret and 2nd finger on the 4th string 2nd fret and pluck ....ha ha Em I'm away......wow my fingers hurt......it may be a while Chris before were dueting with guitars .......I think I'll stick to the singing...this excellent enjoyed that sound of Fender and Marshall with a little help from Vaisvil...
the planet of the apes comes to mind ..."70s Tv......love it....congures some great imagery of intrigue and trouble......love to hear this live....excellent ...
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Yap. Excellent!
That's Earth inner core DEEP!
Stretchy!
chilled ambient tune C. headphones open i t u p in to t h e D A R K ness
WOW! Excellant! LG
excellent. enjoyed that
Everything's alright, yes, everything's fine.
One of my favourite musicals too........
Absolutely fantastic Chris!
soo kool
Yep. Still.
Hey i remember that....#1 on youtube lol as for the music....mighty fine!
A feast of bass and piano.
that's one lonely dark wet street.........loving the bass and piano together......
just love it......
Whoa, I was almost expecting the Wagner choir! Very dramatic! The vikings are coming again!
speak up Norm I can't hear you!
What can I say?
I want to be able to do that beginning ....... love the wild sound of it... one day (Reg learning guitar)...now where was I 1st finger on the 5th string 2nd fret and 2nd finger on the 4th string 2nd fret and pluck ....ha ha Em I'm away......wow my fingers hurt......it may be a while Chris before were dueting with guitars .......I think I'll stick to the singing...this excellent enjoyed that sound of Fender and Marshall with a little help from Vaisvil...
the planet of the apes comes to mind ..."70s Tv......love it....congures some great imagery of intrigue and trouble......love to hear this live....excellent ...
Comments made by vaisvil
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!