I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
http://en.wikipedia.org/wiki/Antiprotonic_helium
Tuning:
Harmonic six-star, group A, from Fokker
16/15 6/5 32/25 4/3 3/2 8/5 48/25 2/1
A string composition played on Fender Mustang driving a Roland GR-20 that was re-tuned on the fly
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Hello guest (75.27.136.221)
I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Here is something I had laying around that I forgot I did. A 9 edo improvisation with my Roland GR-20 + Fender Mustang combination. This will probably sound pretty foreign and / or out of tune. To me it sounds oddly funky in places like at 0:22
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
I like it guys. pretty kreepy though. lol.
epic guys. . :)
ahhh the good ole marshmallow laws :)
Nice one mate very cool.
Very trippy
always vaisvils me inward-outwardly
Excellent trippy video got lost in the running water enjoyed the mashup
Basking in this...!
crazy cool !
wonderful......
Hello guest (75.27.136.221) I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
My (under-educated) ear finds this piece very instructional. Neat.
and the fairies came out although it was not yet dusk"...........
This is a very nice piece. Thanks for posting. Like the combination very much!
I like this. Thanks for posting Chris!
Sparkly!
Belle has wonderfully good taste
Really like the feel of this.....
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!