This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17".
Quite an impressive collection of "17 equal tones per octave" songs (20!).
If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore.
It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that.
The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point.
Strong work, Chris. I philia it.
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
I said it so long ago:
"We don't know.
We might not ever, will we?"
I said it so long ago:
"We don't want to know.
Or do we?"
Suffocate, I want to suffocate
----
Sax by [Matt Nelson](https://www.mattnelsonsax.com). Mastered…
https://alonetone.com/vaisvil/tracks/not-all-who-wander-are-lost this is the song in the background linked thru here... --- I sing with the song (no lyrics in the song till here) these are the lyrics from the link above..
About "Not all…
taken this
https://soundcloud.com/h92o/for-chris-at-d-d
and chris's song here
https://alonetone.com/vaisvil/tracks/polyharp-ji-musings
and mixed them chopped up the long work by me as to not over extend the song.
Comments on vaisvil's stuff
I find this quite soothing but can't help feeling there's more underneath
I just love this site, theres something for everyone. Played with your usual skill
Oh my word. Completely creepy and affecting! And this track has a spookily wrong timer... (1.54, not 1.23.)
The timer on this 'ere track is lying. It's only 13 seconds out...but that's kind of eerie, no? I mean, what with it being 13 and all. Just saying.
Timeless and bright.
wow i found this song to be incredibly eerie lol
very stately ......medieval
I shall have to get this on my phone as an alarm ...........
Goes perfect with the image.
make sure that cellar doors locked we don't want it getting out .....excellent atmosphere.....
Remind me never to go in to your cellar. Very atmospheric - cine score me thinks?
Like the use of the brass vpices - and that bassline is nothing short of superheroesque!
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17". Quite an impressive collection of "17 equal tones per octave" songs (20!). If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore. It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that. The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point. Strong work, Chris. I philia it.
tv.errific......
wow, that about says it all,,,, well done
Great beat mate dig it. Thanks for listening and commenting. Cheers.
wow.... just wow... and im only a minute in!
I don't fully understand the technical side but it makes for an interesting listen.
Divine Madness
One of my favorites man. Cool choice for a cover tune.
Comments made by vaisvil
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.
reminds me of the minute man air corp of Massachusetts bringing down spitfires during the Boston Tea Party of 1812. Some tea - some party!
Great sounds in this!
excellent odd and menacing mood!
Its the only reason to have a day job!
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?
awesome production changes - I enjoy the constant evolution
Thanks Bill!
This is incredibly cinematic - excellent work !
Beautiful Ben!
lasers to a WWII Battle of Britain dog fight!
Excellent! Adds a nice ambient layering