Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a composition that was realized by playing a Fender Mustang which has a divided pickup connected to a Roland GR-20 guitar to midi converter / synthesizer. The GR-20 generated piano and saxophone sounds (in two passes) which were re-tuned…
Berceuse (means cradle song - or lullaby) by Chopin Op. 57 midi recorded by Ron Lubetsky, M.D. in 1997. And indeed I can tell from the midi file this was a real performance. I ran it through pianoteq in Sonar X1. I hope you enjoy it.
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This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
Quiet
Quiet thoughts for quiet fights
Tumbled dry and folded rights
Wrapped up in a candied floss
Shrink-wrap now removed and lost
Curled, crunched into a ball
Out the window, into a wall
Bounce and twist and turn and spin
The truth is beaten…
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
I travel the synthesizer (two 5 minute tracks) and cymbal rooms at Guitar Center with my Zoom H2. Since I play in the same key more or less it works more or less. Thank you John Cage.
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
Often I am asked about the difference between "normal" 12 equal tuning and microtonal tuning.
Thanks to a retuning by Gene Ward Smith to meantone tuning (I don't know which) you can compare this famous piece of music in the familiar 12 equal…
A manipulated ambient-ish piece
Sound sources, 5 string bass, 18" and 14" china cymbal, cornet, mixed tuning, 6 edo, 12 edo, unconstrained pitch.
kudos for anyone who listens to the whole thing.
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Agree that it's wild, but I like the common thread running through it and the bass work is awesome.
well, it's pretty interesting,,, and as always i enjoy, reading, listening, and learning from your musical journey
Wild stuff.
Wild mix mate very cool thanks for your comments mate. This is very cool.
A crazy zaperish Grooms nightmare dream .......way too. short a piece of excellence........loved the bass working its way through the crazy vibes going on.....loved it fav'd and saved
Simple and impressive little tune :-)
Sax is a great touch!
Very much so.
Chilling stuff! - Wonderful to hear this!
Shout out for these lyrics - brilliant! "Without belief there is no fall The silent solstice will hear no call"
Ozzy Vaisvil!!!!!!!!
Wow, you're so bold! This is an awesome capture. Beautiful playing...
Love your sonic adventures!
This is pretty sweet - lovely laid back tones.
great how well you let sound that shrunky, grats with the tuning and tune :)
I've never seen a guitar like that. Cool!
Lovely upload - don't think I've ever really listened to this piece before. Interesting changes!
*hides*
Nice one mate really dig this.
Nicely done mate.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!