Quiet
Quiet thoughts for quiet fights
Tumbled dry and folded rights
Wrapped up in a candied floss
Shrink-wrap now removed and lost
Curled, crunched into a ball
Out the window, into a wall
Bounce and twist and turn and spin
The truth is beaten…
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
I travel the synthesizer (two 5 minute tracks) and cymbal rooms at Guitar Center with my Zoom H2. Since I play in the same key more or less it works more or less. Thank you John Cage.
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
Often I am asked about the difference between "normal" 12 equal tuning and microtonal tuning.
Thanks to a retuning by Gene Ward Smith to meantone tuning (I don't know which) you can compare this famous piece of music in the familiar 12 equal…
A manipulated ambient-ish piece
Sound sources, 5 string bass, 18" and 14" china cymbal, cornet, mixed tuning, 6 edo, 12 edo, unconstrained pitch.
kudos for anyone who listens to the whole thing.
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
Quiet
Quiet thoughts for quiet fights
Tumbled dry and folded rights
Wrapped up in a candied floss
Shrink-wrap now removed and lost
Curled, crunched into a ball
Out the window, into a wall
Bounce and twist and turn and spin
The truth is beaten…
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
I generally take my Zoom H2 portable digital recorder with me on my trips to music stores to record myself playing equipment I can’t afford to buy. This is one of today’s recordings. June 24th 2011
Calling
There ain't no future without a past
all of the promises that just won't last
I don't believe anymore
Just don't believe anymore
One became two in the sin of despair
beyond the moment where there was a care
I can't breath anymore
Just…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
This is a traditional piece that dates back to at least the 16th century. Since the version I have is instrumental I used what is called Pythagorean Tuning and period instruments to render it. (alto recorder, bells (crotales), fiddle, and bodhran…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments:
This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
Backyard Ghost sent me something to work on...i added my own touch and arranged it...i sent it to him and he added another of his touches and rearranged it and You've Had My Tears is the end result...we both love this collaboration...expect more…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Comments on vaisvil's stuff
Shout out for these lyrics - brilliant! "Without belief there is no fall The silent solstice will hear no call"
Ozzy Vaisvil!!!!!!!!
Wow, you're so bold! This is an awesome capture. Beautiful playing...
Love your sonic adventures!
This is pretty sweet - lovely laid back tones.
great how well you let sound that shrunky, grats with the tuning and tune :)
I've never seen a guitar like that. Cool!
Lovely upload - don't think I've ever really listened to this piece before. Interesting changes!
*hides*
Nice one mate really dig this.
Nicely done mate.
I like this mate really cool.
ahh so your one of those guys i hear when i visit the store ahha,,, this is cool,, how many pedals on this? the lower register sounds especially good
candy store stuff.seems off tune but sure u were rock.n.
pretty wild piece
Epic! Perfect, I hate doctors as a rule :)
Nice one mate excellent.
Mistakes or not this is pretty cool Chris.
a fine piece,, always a fav of mine
Hauntingly plaintive. Nice!
Comments made by vaisvil
wow. You have captured what St. Casimir cemetery sounds like at 4 am on a spooky fall night...
Man alive!! this is astounding!! what a trip!
As for the song icon for Don't Look Down - a friend made it for me and I am not sure what he used. Subway is a good bet.
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
this is wonderfully sad and mysterious!
beyond just excellent! This is a trip through space to another place, time, and existence! I can't say enough!
Excellent!!
Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.
Beautiful!! In composition and execution.
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.