On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
Frighteningly fast... how does the brain get the message to the fingers that quick! lol
Cool tune, haven't heard the original, yours rocks though. Buckethead is something else.
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
Jason, do you have a main guitar? Curious as to what it is... Some aeriously fantastic disciplined shredding here. I'll never get there myself, but I appreciate the talent and work to get to that level.
Crazy stuff!
Just a silly song I made up based on the title of an Accept song. I like Accept and was listening to one of their albums the other day and later when I went to record something the title "Flash Rockin' Man" was in my head and I just used that…
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
I feel you take to best of the old shred guitar days, lets say of the late 80's and early 90's when guys still played lead guitar, and do something unique with it. Are you familiar with the old Shrapnel Records label? I forget all those players now... Marty Freidmen, Greg Howe, Ritchie Kotsen? You remind me of those days, and I listened to all that on vinyl only!
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
Just a silly song I made up based on the title of an Accept song. I like Accept and was listening to one of their albums the other day and later when I went to record something the title "Flash Rockin' Man" was in my head and I just used that…
Sure, this does the trick. Got that cool Rob Zombie thing going on with the voice but the guitars are a bit groovier. Of course well done as always, but I really like the guitar riff at the beginning. Cool.
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
In an online course on Einstein's miracle year of 1905 we had to do a creative project and I was going to submit this but never did. Hope you think it's funny.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Poor Reg's mate Ronald lost his job in the Government cuts now this whole world is caving in..... he has the bailiffs pounding at his door and he can't take anymore........he has lost his pension....soon to lose his house ......he's already lost…
Did my second Blues lesson last night and couldn't resist writing another song to another of the Reverend Mikes Backers....but was a bit naughty as i was supposed to use the least notes possible....but whats life if it's not for being a little…
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
A track from the RPM Challenge 2011 album. "Foggy Bottom Stomp" is a straight forward rolling groove that goes well with a brisk walk around the neighborhood.
A riff that could only be played with a raunchy synth sound. Forgive me if this causes an 80's flashback, but I had a lot of fun with this one. Originally recorded for RPM Challenge 2011, but updated with new guitar and bass to beef it up.
Ring of Fire - lyrics by Johnny Cash and June Carter Cash -1963. Slightly modified.
This wasn't meant to be Ring of Fire but that's how it wound up.
I have been wanting to trash Ring of Fire and the words just seem to fit this simple 1-4-5…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
When I'm in the zone, I dub-out...but sometimes I just gotta blow the cobwebs out by gettin' silly on the drum machine and rippin' on the fret-less. This was one of the latter. It was heavily inspired by the book "Rolling Thunder Speaks"...specifically…
"Seven Shudders" is a one of those love songs with undertones of suicide, drug addiction, orgasm (seven shudders), as well as nature.
Hope you like it.
great chords on this track man.
about buffalo bill: i used the Line6 POD Farm program, and i think the settings were a Plexi Lead 100 head, classic distortion pedal, rotary drum+horn effect (may have been Phaser instead), and 'medium hall.' thanks for your comment.
Comments on Jason Earls's stuff
This smokes Jason... nice playing, harmonics & all.
Whew! My hair is moving. Crank it up! ~WG
crazy guitar man!!!
Frighteningly fast... how does the brain get the message to the fingers that quick! lol Cool tune, haven't heard the original, yours rocks though. Buckethead is something else.
Jason, do you have a main guitar? Curious as to what it is... Some aeriously fantastic disciplined shredding here. I'll never get there myself, but I appreciate the talent and work to get to that level. Crazy stuff!
Excellent as always Jason....
I feel you take to best of the old shred guitar days, lets say of the late 80's and early 90's when guys still played lead guitar, and do something unique with it. Are you familiar with the old Shrapnel Records label? I forget all those players now... Marty Freidmen, Greg Howe, Ritchie Kotsen? You remind me of those days, and I listened to all that on vinyl only!
Wild , dig the squeals.
Sure, this does the trick. Got that cool Rob Zombie thing going on with the voice but the guitars are a bit groovier. Of course well done as always, but I really like the guitar riff at the beginning. Cool.
Good playing, cool tune!
Hell yeah! And for the record, Albert Einstein certainly was the man. \m/
The glory days of groove guitar jam are back. Very very cool.
Damn! Gotta pick my jaw back off the floor
Tearin' it up again! Nice!
\m/
Wicked cool
Very impressive picking,really cool stuff!
I was happy to see Ed in your collection, it's only right. Nice one.
Ohhh good one
Nice one...
Comments made by Jason Earls
neat lyrics and cool guitar!
i dig the intensity man, good protest song!
wicked vocals, incredible guitar licks, excellent blues tune man. makes me wanna pick up my guitar right now.
really cool, wish i could get a guitar tone like that.
pretty chords, great tone & harmonics!
awesome, well done!
sweet groove, great guitar!
excellent track!
wicked version man, really cool.
wow, so nice!
thanks for your comments man.
cool composition man. you asked about "One Chord & Four Notes" - nope i don't think i ever used b major, only arpeggiated down Bsus2.
wow, really cool. great lyrics and neat music.
Cool electronica! 0.57721566490153286060651209008240243104215933...
wickedly heavy, great!
such a great groove man!
cool tune man! unique
such tasty licks with incredible phrasing and note choice!
great instrumental, excellent harmonica and guitar melodies!
great chords on this track man. about buffalo bill: i used the Line6 POD Farm program, and i think the settings were a Plexi Lead 100 head, classic distortion pedal, rotary drum+horn effect (may have been Phaser instead), and 'medium hall.' thanks for your comment.