The salient lines in this traditional song, for me, are these: "... and still I hold, / that the time will come / when he and I will be as one ..." What need is expressed in this "holding"? Against what, does our singer hope? The resistance…

The salient lines in this traditional song, for me, are these: "... and still I hold, / that the time will come / when he and I will be as one ..." What need is expressed in this "holding"? Against what, does our singer hope? The resistance…

A small taste of the '74 Twin Reverb. Blackfaced, master volume removed from circuit, two tubes pulled, old Celestion G12-80s (it wasn't me). Les Paul with excellent PAF-style pickups (A5 neck, A2 bridge), stock pots and caps but good parts nonetheless…

(this track's a bit hot, mind it doesn't hurt your ears, please) So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…

The salient lines in this traditional song, for me, are these: "... and still I hold, / that the time will come / when he and I will be as one ..." What need is expressed in this "holding"? Against what, does our singer hope? The resistance…

Just another time traveling love song from your ole Uncle Paul. Mostly MIDI synths and some analog bass and screaming Ibanez. Drum loops too. I was going to drum it, but these two loops really kinda drive it along. Enjoy..... filled…

They recon if you go down any mine in the world you'll find a Cornishman there working. Colin did the vocals and twelve string Matthew did Balron, whistle, backing vocals ect. I did the acoustic and backing vocals.

Gone is the loud click at the start. The latest mix down of this version of this tune which still need a little work but is coming along. Video in the making.

This is fresh out of the oven and not perfectly shaped but I wanted to share it straight away.