lovely,, a great travel through sound space,,, many thoughts/feelings through the mind while i listen... is there perhaps a bit of north African influence in this and some of your other work? something about this (not just the percussion) seems to have a Arabic/ med feeling... anyhow... well done once again R
Glad you like "sledge".The mix has been killing me. I've still got vocal work to do, issues with bass, and drums, but sometimes I have to not listen to it for about a week, then go back and fine tune.
Oh my my my.
I agree with Norm all the way.
This climbs and builds and deepens...and then we have almost tribal sounding windchimes! You've just invented a new sound.
A-m-a-z-i-n-g, Alister Flint.
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Alright!! This is some kickin' tune right here. I wanted to mess with this one when Jarvis first uploaded it. Then Brian Bazeley added this great bass line to it. At that point, I had no choice but to add some more veggies to this stew…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Mark Bradley sent me something to work on...it started out as one song then changed into two separate songs...Running To Exile is built around what Mark sent me and we are both happy with what i came up with.........
Backyard Ghost sent me something to work on...i added my own touch and arranged it...i sent it to him and he added another of his touches and rearranged it and You've Had My Tears is the end result...we both love this collaboration...expect more…
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
Dedicated to my sweet wife's loving mother, Millie, who is moving into hospice.
She is a very thoughtful person, centered on peace and justice.
The song has a guitar part that symbolizes her. The quieter echo part is Wally, who passed years ago.
I was just messing around with my new TR-707 drum machine, and one thing lead to another, and I kicked this out. This is something worth working on, I think.
used: TR-707, several Native Instruments soft synths, bass, and vocals.
Year: 2008
Album:
Singles
Artist's description:
Many years ago a brave soul uploaded several recordings of his sister's recital to a newsgroup I created for amateur musicians. I asked for, and he gave, permission to use the recordings. Well…
thank you all! it's more a wink, done under the form of a parody, at some old times and genre from the 19th century, born in Paris; and certainly fun to do!
@ Norm: if you're as bad dancer as me, i feel sorry for her feet :p
@ Richard: actually, no synth used here, only sf2 and FL studio. with a very light mastering.
this is a cover done for the french hiphop band, IAM, because although highly political in content, saldy most of what they say is true. - note that the clip was never aired on tv or radio, due to official decision.
lyrics in french (right…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
takes a bit of time to develop, but it keeps getting better and better as it unfolds. 2nd part is really good..(clap sounds too dry, for a piece so bubble-ish)
icon from John Cheung http://www.onesunart.com/
There is an internet label called "SoOn" and this was the 2nd release - a collaboration between me and the guy doing the organ who subsequently left the label - as well as lots of input from…
this is a cover done for the french hiphop band, IAM, because although highly political in content, saldy most of what they say is true. - note that the clip was never aired on tv or radio, due to official decision.
lyrics in french (right…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
Comments on Alister Flint's stuff
lovely,, a great travel through sound space,,, many thoughts/feelings through the mind while i listen... is there perhaps a bit of north African influence in this and some of your other work? something about this (not just the percussion) seems to have a Arabic/ med feeling... anyhow... well done once again R
Glad you like "sledge".The mix has been killing me. I've still got vocal work to do, issues with bass, and drums, but sometimes I have to not listen to it for about a week, then go back and fine tune.
Your mixing ear is dangerously close to perfection. Awesome engineering.
Damn fine piece of work laddy. Damn Fine!!
Very cool sounds here.
thanks a lot to everyone for listening!
Cal it "ambient" if you like, mate. Good shit.
This is a great tune - I love the percussion and the deep deep sounds.
Found myself with eyes closed just taking it all in. Great stuff!
Awesome.
excellent AF
Oh my my my. I agree with Norm all the way. This climbs and builds and deepens...and then we have almost tribal sounding windchimes! You've just invented a new sound. A-m-a-z-i-n-g, Alister Flint.
This is brilliant. Perhaps my favorite of your work so far.
..'been diggin it all.. :)))))))))))))))))))))
I cant believe I missed this, very chillin track indeed, I really like when the base comes in around 230, and.. that pic is a trip
from the little i'd gather, this is real, yes! and yes, i'm getting to really like that lens i've made.. keep things mysterious (right!) ;)
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
@Norm: you might actually be surprised ;) (i've included link to the original photo in the description..) and thanks to all for listening.
@Norm: you might actually be surprised: Giant Blue and a Red Dwarf and thanks to all for listening.
Ooo, atmospheric stuff and draws in the listener. Terrific depth.
Comments made by Alister Flint
this is soooo cool! i hope you guys will make more of these!
quite a unique blend of prog rock and TD-like new-age, something of Stratosfear..
well thank you all! :)
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
excellent balance between the 2 (almost) opposite moods..
what a pleasant surprise! i wasn't expecting this at all, but this is reeeeally good..
ouch dang! too short! :/
excellent, and i agree with C.Decato, it has this Jimmy Page feel..
very nice composition, quite moving. i'm less convinced by the vocals though, probably too much reverb, or not enough damping..
very solid fundations, but it feels rapidly circling around. it might be missing something to finalize this and make a really good tune!
ahahah, this is good! is it desecration or desacralization, though? ;)
thank you all! it's more a wink, done under the form of a parody, at some old times and genre from the 19th century, born in Paris; and certainly fun to do! @ Norm: if you're as bad dancer as me, i feel sorry for her feet :p @ Richard: actually, no synth used here, only sf2 and FL studio. with a very light mastering.
they wrote this, that's already a good start no? makes people wonder, just as you did..
y u m m y ! la llave es la clave, si!
takes a bit of time to develop, but it keeps getting better and better as it unfolds. 2nd part is really good..(clap sounds too dry, for a piece so bubble-ish)
good idea to dig this one out! aside the clean and detailed prod, there's so much going on, in less than 3mins, excellent collab!
test
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
sometimes, sacrilege is a blessing.. - great rock and pretty good vocals!
quite dreamy, both the tune and the video. didn't know you were a sax player as well..