The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
this sounds like a circus and all the clowns are sober and the kids and parents watching the show have had a double dose of Mescaline. Your hard work payed off. This is FNG!!! (FNGreat!)
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
This was one of the unnamed tracks that I recorded, forgot about, and rediscovered later in the month.
It's basically about working the night shift on an office job. (You see really weird things at night when an office building is empty and quiet…
This was one of the unnamed tracks that I recorded, forgot about, and rediscovered later in the month.
It's basically about working the night shift on an office job. (You see really weird things at night when an office building is empty and quiet…
Sprachgeist is a German term meaning the "spirit of language".
This one ties into the theme from 2009's RPM Challenge Album. (Like A Dark Mirror Keeping Its Secrets).
Sprachgeist is a German term meaning the "spirit of language".
This one ties into the theme from 2009's RPM Challenge Album. (Like A Dark Mirror Keeping Its Secrets).
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
DON'T ASK ME TO DANCE
Kim Noble: Lyrics, Vocals, Vocal Melody
Nico Camps: Drums
Simon Lenaert: Bass
Steffen Offermann: Keys, Original Music, Production & Mix
This sounds very crisp through headphones, and I like how you have the different instruments spread between the left and right channels. I'm also digging the quirky melodic sequences. (Are you using quartertones?)
Really catchy! I'm impressed with the sound production, although it admittedly doesn't sound '1969' to me - it has more of a January 1970 sort of feel.
I was fooling around with studiofactory for a while and discovered "random noise" making elements. I recorded a few tracks of that with different parameters and mixed them into a track. There was a pink noise oscillator going into a sine wave…
I'm listening to this, and it feels like a genuine album, rather than simply a collection of individual songs. I like how the songs seem to flow into each other, and create this grander atmosphere.
Synths are meant to represent the fast beating heart of the technological city, with its busy trains and industrious people. The breathing is life, and the cheerful keyboard is supposed to be the fun and excitement of life in a city with a flourishing…
1) Be a complementary force to the alignment that they call the change of leadership.
2) Use attraction, alignment and avoidance and extended this with a number of traits.
I'm digging this - I like kind of the freeform improvised nature of it. The sort of thing that would make for interesting dreams if it came through on the speakers while I was sleeping.
Comments on AMUC's stuff
rock on!
nice sound!
Yes, a brilliant album close - also a brilliant opener? Or just maybe brilliant.
Yeah!
this sounds like a circus and all the clowns are sober and the kids and parents watching the show have had a double dose of Mescaline. Your hard work payed off. This is FNG!!! (FNGreat!)
Superb!
Underground new wave folk! Incredibly original. And great vox.
This track is haunted, and I thought that before the chiller vocal began. Very atmospheric and clever!
:)
I love amuc.
Great set of offbeat sounds on this track.
Stuff reminds me of Death Cab for Cutie. Sweet!
really cool RPM album man. Im diggin it!
Very good mate dig it
Nice one mate great sounds.
Nice sounds mate nice track.
Nice sounds mate nice track.
Very cool mate
Your material is very interesting.
Very Nice Album Cover you've got there. Great track.
Comments made by AMUC
Solid singing, and I like the lyrics. You can tell there was thought put into them.
I like that weird FM-style synthesizer around the 1:40 mark.
It has a very 70s/80s feeling vibe to it, and I mean that as the highest praise possible. I could genuinely have heard this on the radio in that era.
I'm digging this (actually the album as a whole). This particular track has a Winter Brothers kind of vibe to it.
Poor, poor bear. At least didn't die in vain, because this track rocks.
I have a feeling this is what they would play in the self-replicating robot factory to try and increase production.
This sounds very crisp through headphones, and I like how you have the different instruments spread between the left and right channels. I'm also digging the quirky melodic sequences. (Are you using quartertones?)
I'm liking the melody played by the flute-like synthesizer. It feels like it goes counter to the rest of the melody, but in a good way.
Really catchy! I'm impressed with the sound production, although it admittedly doesn't sound '1969' to me - it has more of a January 1970 sort of feel.
I like this for some strange reason. It's like R2D2 is malfunctioning in some filibustery sort of way.
I'm listening to this, and it feels like a genuine album, rather than simply a collection of individual songs. I like how the songs seem to flow into each other, and create this grander atmosphere.
I like this - it's a real foot-stomper. The vocalist also really holds up her end of things. She carries the lyrics well.
I like the crunchy drums here. This sounds very professionally mastered - all the instruments jump right out at you in the mix.
I'm getting a Jean Michel Jarre vibe from this. I like the synthesizer voices you chose.
One thing I'm digging about this album is while each song has its own unique identity, it still feels like it's part of a greater cohesive whole.
I'm liking this one. It's a nice hybrid of electronically-generated music with some real instrumentation thrown in. The whole album I've been digging.
I love long-play tracks like this that just go in all sorts of unexpected directions.
I'm digging this - I like kind of the freeform improvised nature of it. The sort of thing that would make for interesting dreams if it came through on the speakers while I was sleeping.
Thanks - this is what I needed to chill a bit after a particularly stressful day.
I like the compound time signature in the vocal melody. It's catchy, and makes me want to bob my head along to the music.