An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
MMi's Voices
http://alonetone.com/mmi/tracks/voices-3
MMi wrote the song. I programmed percussion, recorded tabla and vocals.
This is really catchy - the mix may need a little fine-tuning in places, but it's pretty good. (Louder rock is admittedly a pain in the neck to master.)
You have the mix damn near perfect here. The one thing it seems to be crying out for is lyrics. I instinctively want to sing something over the beat - it lends itself to that.
Unlike a lot of instrumental music I hear, this sounds very cathartic. It sounds like it's tapping into something, and channeling it out in the form of music. It held my attention for the full seven minutes..
Sister Savage has a little star in this track!
Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…
This is my cover of 'Lady Killigrew'. This song was originally done by Sister Savage, and Bethan Mathis, and can be found on either of their alonetone pages. I highly recommend their version. They sing prettier... probably look prettier too…
This is written by my friend Stuart Walker, and he gave me permission to record this for my RPM 2009 album. It reminded me of early Leonard Cohen so I took it in that direction with the finger picking and spookiness
I like the atmosphere you create here - there's something about this track that draws people to want to cover it. (I think it's the lyrics - they're really good.)
Heck, we could probably do an entire album of different people covering this one Gumbo track.
I like the textures of the guitar here - it reminds me of Criss Oliva's playing at its most mellow. (Criss had been the guitarist from Savatage, but was killed in a car accident about 15 years ago.)
This album is pure genius -- it's all over the place, but the different elements flow into each other, and form a nice tapestry.
Works for well for those of us with chronic ADD.
This was the second track for my 2009 RPM Challenge album "Relative Polyphonic Mutiny. It was written and recorded in an hour and a half in the middle of the night. Also the first time I ever played keyboards of any sort and there was no time…
*"We all live in a little Village...your Village may be different from other people's Villages, but we are all prisoners." -* **_Patrick McGoohan_**
Modern electronic guitar rock.
One day you awaken in a different place
Where the names…
09 – Carry On Crying. Written and recorded on 12th/17th Feb.
A 5/4 romp starring Sid James and Hattie Jacques. Godley and Creme will direct the video.
Info and lyrics at www.butterflypolite.com/uglifruit
Comments on AMUC's stuff
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
This is haunting. I think you blend the music, voice, and percussion together perfectly.
This is really catchy - the mix may need a little fine-tuning in places, but it's pretty good. (Louder rock is admittedly a pain in the neck to master.)
You have the mix damn near perfect here. The one thing it seems to be crying out for is lyrics. I instinctively want to sing something over the beat - it lends itself to that.
Unlike a lot of instrumental music I hear, this sounds very cathartic. It sounds like it's tapping into something, and channeling it out in the form of music. It held my attention for the full seven minutes..
This one flows nicely. It reminds me of Synchestra a little bit.
(ROFL) You've improved on perfection. =)
Heh. You kind of put a sailor's spin on the original. I could picture this being played by pirates travelling the seven seas.
Submersive. The perfect headphone track. This one has earned a home on my iPod.
I like the atmosphere you create here - there's something about this track that draws people to want to cover it. (I think it's the lyrics - they're really good.) Heck, we could probably do an entire album of different people covering this one Gumbo track.
This whole album is nice. (A Sarod On The Ocean Of Raga) It's good for meditation/relaxation. I have it playing now.
I like the textures of the guitar here - it reminds me of Criss Oliva's playing at its most mellow. (Criss had been the guitarist from Savatage, but was killed in a car accident about 15 years ago.)
This album is pure genius -- it's all over the place, but the different elements flow into each other, and form a nice tapestry. Works for well for those of us with chronic ADD.
This is interesting. It's very fractal-sounding. It reminds me of an old fractal generator I used to play with called F-Prot.
I wish I could play guitar like that (or at all, for that matter.)
Mike Tyson's Punchout! Ha! It took me about a minute to catch the reference.
Heck yeah - now this is what I like. (starting moshpit)
I like all the different elements you're mixing together here. The way you incorporate the vocals into the mix is perfect.
Okay - you have me dancing around my apartment like a complete dweeb. Hence, this is a good track.
This is incredible. The harmonies here are spot-on, and the production is pretty perfect.
Wow.. This really takes you somewhere else. The piano reminds me of Robert Miles.