Part Of Kitchen Sink, the RPM 2012 album for AMUC.
It started out as a tribute to the old sci-fi movie, "The Quiet Earth", and became something else.
Freesound samples used:
42190__digifishmusic__siiiilence.wav
20765__radian__sorrysorry…
Part Of Kitchen Sink, the RPM 2012 album for AMUC.
I was planning to write a love song, but .. it didn't quite come out that way.
3/11/12 - I re-recorded the first verse with better-sounding vocals. I'm leaving the version on the RPM Jukebox…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Interesting,saw you hit on one of my tunes but hearing this I think you'd find Awakenings and Morning Prayer a better suit.These two songs and I have a few more are unrehearsed unplanned and totally spontanious, from one single improvised session. I know it's rough and primitive however it was picked right out of the cosmos
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This appeals to my inner geek. (Okay, maybe not so inner..)
It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This song was created by [Bilian](http://foreshadows.net/musicians/bilian) and is track 5 of the multimedia anthology, Foreshadows: The Ghosts of Zero. This song inspired a story of the same name, written by [Joe Rixman](http://foreshadows.net…
Title track of my new project, as my other group? The Seven Spiders. This song is experimental dub influenced chamber music, I am exploring the possibilities of humour in music trying to make the music itself amusing ... if that makes any sense…
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament.
While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
This is a track from the second Luna Trick CD, Hoar Frost Sheen. For the religious among us, it is not an anti-christian song - it simply rails against church crimes and a history of religion-inspired hatred. Let me know what you think. Thanks…
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre.
(I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
After defeating the Denebians, humans credit their all-knowning Multivac computer for the victory. But inside the computer, what do the humans tasked with feeding information into it do when given unreliable information? The sound of a flipped…
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
Believe it or not, I was sitting in a hotel room reading Tolkien when I came up with this. Actually, the amazing thing is that I actually remembered enough of it when I got home a week later. Needless to say, this took a lot of time to record…
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
Comments on AMUC's stuff
Great start! Love that sound. A melodica?
What kind of synthage used here? I like it.
Dig it. Sounds like toy music. In a good way. Very atmospheric.
The title drew me in... It goes from a vibe that sounds like electronic 'Yes' and then takes on a Dylan-esque quality... Fun!
Brilliantly pieced together. Awesome track!
Whoa love how this starts
Cool, great prog rock track, I like extended works.
Wow! Thanks to Tess for pointing this one out. Great piece of work! Mix sounds really good in cans
An 8 minute adventure - just great! Love the traditional folk flavours in your melody.
I always wanted to do something that sounded like this. Sounds awesome!
Interesting,saw you hit on one of my tunes but hearing this I think you'd find Awakenings and Morning Prayer a better suit.These two songs and I have a few more are unrehearsed unplanned and totally spontanious, from one single improvised session. I know it's rough and primitive however it was picked right out of the cosmos
really dig the textures in this one, nice work.
Cool atmospherics
Neat, interesting in places, love the concept of perpetual change.
What a bloody good mix , i love it
sooo dope love the melody changes
very clever.
Hahaha wicked!!
Some freaky moments
Gentle and soothing, like the odd weird noises too, cool.
Comments made by AMUC
This appeals to my inner geek. (Okay, maybe not so inner..) It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This rocks - I'm hearing a strong New Order/Depeche Mode vibe to this.
I really like the clarity of the percussion here - everything sounds as clear as a pin dropping.
Wow. Just wow.
I like the layered streamed&strummed guitars here. The two play well off each other. The stereo effects create a sense of space and depth.
The mix sounds absolutely perfect in every way. I am soooooo jealous.
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament. While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
I'm really impressed with the mastering on your RPM 2012 album. It sounds very professional. Every instrument sounds crisp and clear.
I like the genre-blending going on here - it creates a very unique end result.
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre. (I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
[ROFL] The dangers of trying to write music during girl scout cookie season. I'm more of a Tagalong fan myself. =)
I'm in shock that this is your RPM Challenge album. The whole thing sounds very professional - the vocals/songwriting/mastering. It's all good.
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Love the vocals here -- they have a Celtic-vibe to them.
Nice! I love the synths at the very beginning. I was working on something else on my computer, and they completely grabbed my attention.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
I'm digging the high sustained notes in the chorus. (Wow.)
I like how you juxtapose the electronic and more loud rock elements here.