coelocanth's Favorite tracks on alonetone
by coelocanth
- 01. April 11th 27:07
- 02. Eye of the Gargantuan 5:12
- 03. sugar shiv 3:07
- 04. The woods 1:09
- 05. Bad Henkings (C.Vaisvil - C.Serafini - A.Flint) 5:32
- 06. What It's Not Like 8:15
- 07. up in the dark blue (allenson/kervinen/oldani/smith/sundstrom) 5:58
- 08. xmas motorvate 2:56
- 09. Andonis 3:43
- 10. What Just Happened? 7:46
- 11. Piano moment 5 3:20
- 12. greed limit 3:09
- 13. ghost of karma 2:16
- 14. Drones and Other Melodies 6:47
- 15. Gondvana 9:59
- 16. Lulled 12:32
- 17. AFTER SLEEP for DARK BLOOD 042412 - MAN THAT I AM 4:23
- 18. Prequiem/In the Beginning 8:17
- 21. Goriot 6:21
- 23. Footsteps 6:06
- 24. Aeolian Harp - v1 15:22
- 26. 10March2014 8:31
- 27. Sonic Pedlar 5:05
- 29. du Lac 6:06
- 30. meditate 13:38
- 31. Insomniac (RPM) 2:30
- 33. out[Back] 3:40
- 34. RecordSideB 8:58
- 36. Howling at the Moon 4:14
- 38. Frankly My Dear (RPM 2015 mix) 4:44
- 39. Alamut_Black 4:03
- 40. In your hands (RPM) 4:03
- 41. Minor Scale 9:11
- 42. Rover 2:10
- 43. Cloud Emergence (feat. Kavin Allenson-Shane W Cadman) 5:35
- 44. December's Froggy Trees 4:22
- 45. The Last Minute Christmas WITH KAVIN 2:03
- 46. Guitar Quartet: Four Parts Fretless 2:58
- 47. PorridgeImpro 3:45
- 48. it's not perfect 2:22
- 49. serenity 5:39
- 50. Nostalgia 8:08
- 51. episode 6:53
- 52. Y U Do 1 3:12
- 53. It Goes From Here 5:18
- 54. Burn Sound-In to the Ground 3:56
- 55. drone in your kitchen 2:28
- 56. eliminate negativity all you have is the positive 4:29
- 57. exploiting massless participles 8:33
- 58. In the Shadow of Death 3:41
- 59. Window Seat 4:04
- 60. Don't Let Us Get Sick 2:46
- 61. When I Saw You... 6:26
- 62. Charlene Stocker piano paul stretched 8:43
- 63. Canal Street 3:41
- 64. Everything Comes and Goes 1:46
- 65. The Cicada Mind 5:05
- 66. solo improvisation - March 8, 2019 7:47
- 67. Distant friend 2:51
- 68. The Undying Fire 12:22
- 69. Synapse 4:35
- 70. truly crazy people 4:56
- 71. dreamspaststreams 1:52
- 72. Wind 5:47
- 73. HOT WHEELS - SKATING 2:20
- 74. That's Alright (Baby with Me) 1:22
- 75. Mullen (melatonin synth museum) 6:15
- 76. 4 Strings 4:53
- 77. Making tea in the microwave 2:54
- 78. Apocalypse 2:43
- 79. this banger LMMS excerpt 1 5:30
- 80. Piano Sonata 3 movement 4... with Bongos 1:35
- 81. Harlem and 79th Steet in Two Parts (1) 18:07
- 82. Over the Hills and Faraway Trains 3:59
- 83. neopolitalitarianism w/ breaking light 2:39
- 84. The 200 Percent 3:03
- 85. The Guitar Solo 3:23
- 86. Pure Land 2:00
- 87. Vinyl 5:27
- 88. NTS-1 two voice 3:14
- 89. Soft & Wavy 2:03
- 90. wurli halla 2:15
- 91. STEPPIN' ON SOME TOES 032515 - CIRCLE OF NO REGRETS 3:17
- 92. Loopydroneyglitchywacky 9:08
- 93. Nostalgia For Infinity 11:42
- 94. Apostopocalypse 26:51
- 95. 06 Etc 4:00
- 96. Uncertain Times 3:08
- 97. Milkman 2:20
- 98. Dreaming 8:46
- 99. Oh Well 3:23
- 100. Littoral Perambulation 4:54
- 101. And people stayed at home 3:50
- 102. Sorry If You Annoy Me 2:04
- 103. It Will End This Way 7:56
- 104. Three Stratocastor Tracks 2:45
- 105. The Serpent Is Rising with No Advertising 8:45
- 106. Morning After 5:59
- 107. Jim-Goodin-Cee-Drone-Blues 2:59
- 108. Dirty Shirts 3:00
- 109. Machine à Cloche 6:44
- 110. Landslide 8:05
- 111. Mostrumental 1:43
- 112. Supernova (RPM 2021) 2:28
- 113. Striking the Cloud Strings 2:59
- 114. Fretless Classical Guitar 4:48
- 115. Jim-Goodin-Soundings 5:50
- 116. Aspasia(instrumental) 3:30
- 118. Two Hearts, One Love (Demo) 3:17
- 119. Rouge (RPM 2011) 5:00
- 120. blossoms 7:59
- 121. Gathered all around 3:47
- 122. Take Flight 3:13
- 123. Unsilent, Unholy 3:16
- 124. Shiver (Remix) 6:16
- 125. Indignant Indigents 5:22
- 126. Polly Wanna Rhythm 5:12
- 127. This Haiku 3 0:15
- 129. Spring Skirl 9:15
- 130. Kawol Samarqandi / flicker - PFED185_digest 4:48
- 131. we gotta rock n roll 3:45
- 132. 20240607 another nocturnal study 14:58
- 133. Gaza - acoustic 5:52
Aeolian Harp - v1
Uploaded .
1
25
this is a 15 minute excerpt of my first successful aeolian harp experiment. As you can see from the picture I strung 50 pound fishing line from my deck to my fence. I used piezo pickups clamped to the end of the lines to capture the sound. The lines were so long the fundamental was well below the range of hearing – if one struck a string it sounded like an echo. Normally Aeolian harps only sound the harmonics and in this case it would be impossible to hear the fundamental anyway. Because I had to use a hugh amount of amplification I acquired a great deal of noise in the signal which I then reduced via FFT noise reduction. The constant background is a residual of that noise. (not unpleasant to me though monotonous after a while) I intend to improve on my design – the extreme length of string is for two purposes 1. to capture as much wind as possible. 2. to experiment with long string playing as done by Ellen Fullman.
Guest
said
that was shorter then I am used to.. seemed like ten minutes but I guess if it says 15:22 then that is how long its, I really like this kind of music..