C I been riding this trail for F way too C long
I Am picked up G peculiar C ways
F A short conversation G is C all that F I know
Cause I C haven’t got G too much to C say
I C remember the sweetheart that F I left C behind
Or Am maybe…
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Barbara Anne Taylor sings.
Que Paso capo @ 5 in G
Am/G x3
G G bass Em Am bass G bass F#
The man on the radio said we are falling apart
Am bass G bass F# G
Falling apart…
dag this is ... so oldschool electronic // reminds me of sitting in the college music library listening to the electronic records for my electronic music class.. that so was so far out. yep .. this is highly complex and constantly changing. great.
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
I recorded the sound samples at St Marks Basilica on the spot....the story you are about to hear is true; not even the names have changed to protect the innocent.
Recent Comments
you really changed your style in the lead so much for this song - I like this.. --
super spreading low synth.. can you ask AI where it comes from?
I like the line “ did not want to see your name next to a stamp”
The theme song of Texas.
No overcomplicating needed ;).
Thanks, Chris.
Good
Love the layered lusciousness. Gorgeous.
What a gorgeous voice Barbara had and what a touching song. John O'Malley
mind boggling as mind raising :)
dag this is ... so oldschool electronic // reminds me of sitting in the college music library listening to the electronic records for my electronic music class.. that so was so far out. yep .. this is highly complex and constantly changing. great.
it like just explodes at the end wow.. --
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
Frippishly Beautiful
Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
Model D?
This both summarizes and transcends the original.
Now underwater.
Don't have a canoe … but did build a flat-bottom pirogue. Works in Texas. Good song.