The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
"blah blah blah"
Proof that some of the things that the composer finds mundane, fascinates the rest of us.
Where's my "how to glu" distance learning course?
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic.
Lovely.
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Sudara recorded some hang drum and glu chopped it up. This is from this morning's remix in underwear session. Cello notes are from the free philharmonic orchestra pack online.
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Glu guides you through an instructional song, revealing secrets along the way.
Instrumentation: Director's comments included! beat boxing, real swords, acoustic guitar, synthesizer, vocals, drum programming, tabla, and tambourine. My apologies…
thanks for the apple WG! Have you tried my coffee-making instructional track?
it might help you work on your homework :-)
http://alonetone.com/glu/tracks/glu-makes-you-coffee
Music for a rainy late night in Minneapolis. This track went from conception to completion in a period of two hours late Thursday/early Friday, with the mixdown beginning at precisely 12:41:00 AM, August 14, 2009.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
We decided we've got too many odd ideas, so we're going to start a series of Esoterica. Here's our first.
"The Light Dances with The Dust" is a fragment of a song by our frontman, written for a big-band-funk cantata to be performed by The…
"You're Salty Boy Dat's Why You're Attitude Is Shitty-Sour; This Is Da Break-In Hour, I Got It Locked Down!" On Sum Straight 1993 Raw Underground Hiphop Extraordinaire! From BeeOne's Underground Debut "In My Opinion".
Written and Performed…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
NOT FINISHED. another doo-doo draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great!
Comments on glu's stuff
Your creativity is overwhelming. I need more birds.
Very effective use of the reverb...very interesting work overall.
"blah blah blah" Proof that some of the things that the composer finds mundane, fascinates the rest of us. Where's my "how to glu" distance learning course?
You amaze me once again with your creativity !!
Once again you've done something very special. Props.
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic. Lovely.
love the use of the field recording with the floating instrumental parts.
Yeah this great for sure nice one
This is great. Love the info and picture. This song is a whole package; the real deal.
nice.
great song
no pianos were harmed during the production of this music. awesome Glu.
This is great nice one
I am going to say something nice about this track
I like this
First theme after pickup is awesome!
Brilliant. Just brilliant.
nice pianos!
Now including incriminating pictorial evidence in track description!
Who knew that destroying a piano could be so beautiful. Hang on - How'd you manage to pull that one off? :)
Comments made by glu
nice! I like how this one turned out!
yeah! yeah! love the do do do's especially. and that weeping clarinet!
53XY!
no, i was the pyrotechnics operator :-)
your crowd savage, it was from our North American tour! This one was recorded in Anchorage, remember? :-)
oooh... love the percussion. the entire assemblage is beautiful. tranquilo.
turn the didgeridoo into a bass line? by all means...PM me your email.
love it brother and friend(s)
thanks for the apple WG! Have you tried my coffee-making instructional track? it might help you work on your homework :-) http://alonetone.com/glu/tracks/glu-makes-you-coffee
woah... just lovely. I'm with Kirk... awesome flute melody. great feel to this one.
woah, I like the last melody in this one. Thanks for the comment.. 'Bob Ross of electronic music' !!! :-) held my side in laughter!
wow, beautiful. Nice big sound.
yes, i'm faving my own track but that's because it was such a brilliant 24 hours of life.
gorgeous. I love the way it is now, but it would also be fun to hear a beat to it... I hope to see The Charismatic Megafauna live one day!
dope. love the beat, rap style, lyrics... just dope.... all the way around.
awesome lunch break. Always dug this one.
yeay! love it! you are quite the sound sculptor, amigo.
love the rhythm and bass.. and the bah bah bah bah. nice homage.
ahh yes! The The!! How did I forget about them? Didn't they sign onto Nothing Records awhile back?
Oh eee Oh... Oz reference ftw! Love it!