Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
"meeting of the Beatles and Trent Reznor" ---and "this is the trailmix i want to bring with me through the circles of hell" OMG!! These are such flattering comments! Thank you! :-) and thank you for coming along for the ride through bittersweet purgatory; do not forget to buy a postcard!
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
where'd my comment go??? i compared you to a meeting of the Beatles and Trent Reznor. but with a genius of all your own.
i am zero percent surprised that you, off all people, could make so much fresh and awesome music in 24 hours.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
something is so Beatles about this. i imagine Paul collaborating with Trent Reznor. i hope you don't mind being compared to other artists. other geniuses.
the thing i really really really really love about the chord progression is the last chord of each phrase in the chorus. how it goes THERE, instead of There.
this is the trailmix i want to bring with me through the circles of hell.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
@ kirk, look forward to finding out which ones are your faves! Thanks again for listening... I'll try to get these individual tracks up soon, once I attempt recovery ;-)
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Also till can't believe that all of you pulled off this quality in 24 hrs. I practically crucified myself over a damn track less than a minute and half long!
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Thank you to all who took the time to listen and comment. I'll soon post newer versions of each track (separately). I hope it was an enjoyable twenty-four minutes. cheers.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Very cool. Love the atmosphere and all the different layers of sounds.
Also, Thanks for the comment about my song and bringing up the drums. I'll try Track Therapy, too.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I think Tenochtitlan in Mexico City..Templo Mayor.. but I cannot remember if they are sculptures or real skulls.. I'm sure they were real skulls at one time :-)
oh.. Capuchin Crypt is in Italy... no have not been but I'm dying to go there someday. Oh crazy skulls! I've seen a similar stacking of skulls in Mesoamerican ruins
Capuchin Crypt? Haven't heard of it.. is this 'capuchin' as in the genus of monkey? I have some crazy capuchin vocal recordings, three species.. they would sound haunting with a bit of reverb.. hmmm
Sam was a very articulate and kind friend; he spend way too much of his life in a wheel chair and yet demonstrated a lot of grace.
We lost him just over a year ago.
Among many other unexpected, Christ-like kindnesses, he realized at one point…
Three hours.
No plan.
Halloween.
Thirteen tracks.
Dark but not dark.
Toys used:
Synths: FM8, Massive, Absynth
Guitar: GT-10, Timeless 2, Volcano 2, Eos, BigSeq2
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
Mat and Jodi have been separated by a vast divide in time and space. AND YET! they can still create the distucto! as if by magic.
this track was part made in Brooklyn this morning and afternoon and simultaneously in Berlin this afternoon and…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
Hey! Thanks for the comment! To answer your question, I'm using Ableton Live to roll my own rhythms.. I have a slew of approaches, ... I might draw notes in a piano roll, trigger sounds with a midi controller, or beat box, clap, bang on some dish-ware... whatever gets the job done!
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
Comments on glu's stuff
"meeting of the Beatles and Trent Reznor" ---and "this is the trailmix i want to bring with me through the circles of hell" OMG!! These are such flattering comments! Thank you! :-) and thank you for coming along for the ride through bittersweet purgatory; do not forget to buy a postcard!
where'd my comment go??? i compared you to a meeting of the Beatles and Trent Reznor. but with a genius of all your own. i am zero percent surprised that you, off all people, could make so much fresh and awesome music in 24 hours.
something is so Beatles about this. i imagine Paul collaborating with Trent Reznor. i hope you don't mind being compared to other artists. other geniuses. the thing i really really really really love about the chord progression is the last chord of each phrase in the chorus. how it goes THERE, instead of There. this is the trailmix i want to bring with me through the circles of hell.
dooope.
Plenty of very good melodic and harmonic ideas. It must have been the perfect flow.
@ kirk, look forward to finding out which ones are your faves! Thanks again for listening... I'll try to get these individual tracks up soon, once I attempt recovery ;-)
Also till can't believe that all of you pulled off this quality in 24 hrs. I practically crucified myself over a damn track less than a minute and half long!
I'll be looking forward to new versions of the individual tracks. I definitely had my favorites from within the 24 minutes
Thank you to all who took the time to listen and comment. I'll soon post newer versions of each track (separately). I hope it was an enjoyable twenty-four minutes. cheers.
I am speechless, just so cool!!! GREAT music, words, feel, and mix!!!!
Damn. You guys keep raising the bar for these 24 hour challenges. =)
Hi there... The comment you left made me curious ! And you've got really good stuff here ! Kinda NIN influence that I love !
Holy wow! I can't even fathom being this creative for an afternoon, let alone 24 straight hours!
So dream like... I am in a trance. Love it.
Very cool. Love the atmosphere and all the different layers of sounds. Also, Thanks for the comment about my song and bringing up the drums. I'll try Track Therapy, too.
Impressive. Most impressive.
At 20 minutes now and this is brilliant!
OOOH- 5 minutes in now and enjoying it. That mood shift right before the 5 minute mark is really cool!
fantastic, well worth all the sleep dep!
What can I say? This is beautiful and I think I shall listen to the whole thing all over again :)
Comments made by glu
damn, another beauty. really liking your sound
gorgeous!
yeah, this is awesome... I too could listen to this all day
I think Tenochtitlan in Mexico City..Templo Mayor.. but I cannot remember if they are sculptures or real skulls.. I'm sure they were real skulls at one time :-)
oh.. Capuchin Crypt is in Italy... no have not been but I'm dying to go there someday. Oh crazy skulls! I've seen a similar stacking of skulls in Mesoamerican ruins
Capuchin Crypt? Haven't heard of it.. is this 'capuchin' as in the genus of monkey? I have some crazy capuchin vocal recordings, three species.. they would sound haunting with a bit of reverb.. hmmm
wow, really like this tune! lovely vox and melody
VERY VERY cool. 11 minutes of awesomeness deserve more than this trite comment. For now, I'll just say: captivating mood. kudos
yes hardrick, it's my spooky contribution. :-)
arse kickin' mix. love the new sounds
zombie tombstones! they make great samples! I should get out the field recorder and take a walk this evening!
the new additions are great! definitely groovin' there!
haha love cross continental collaborations :-)
YEAH! LOVE LOVE LOVE IT!
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
when the world around me turns in slow-motion.. this is what I hear...
Hey! Thanks for the comment! To answer your question, I'm using Ableton Live to roll my own rhythms.. I have a slew of approaches, ... I might draw notes in a piano roll, trigger sounds with a midi controller, or beat box, clap, bang on some dish-ware... whatever gets the job done!
still one of my favorites
Hi, 'Guest' -- I'd love a piano but for now I'll have to do with Sudara's 15min recording session.
sounds like something oozing out of the strata to take over the city