Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
![aphoto](http://i52.photobucket.com/albums/g9/iloveglu/800px-Tundzha.jpg)
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
![aphoto](http://i52.photobucket.com/albums/g9/iloveglu/800px-Tundzha.jpg)
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Glu guides you through an instructional song, revealing secrets along the way.
Instrumentation: Director's comments included! beat boxing, real swords, acoustic guitar, synthesizer, vocals, drum programming, tabla, and tambourine. My apologies…
thanks for the apple WG! Have you tried my coffee-making instructional track?
it might help you work on your homework :-)
http://alonetone.com/glu/tracks/glu-makes-you-coffee
Music for a rainy late night in Minneapolis. This track went from conception to completion in a period of two hours late Thursday/early Friday, with the mixdown beginning at precisely 12:41:00 AM, August 14, 2009.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
We decided we've got too many odd ideas, so we're going to start a series of Esoterica. Here's our first.
"The Light Dances with The Dust" is a fragment of a song by our frontman, written for a big-band-funk cantata to be performed by The…
"You're Salty Boy Dat's Why You're Attitude Is Shitty-Sour; This Is Da Break-In Hour, I Got It Locked Down!" On Sum Straight 1993 Raw Underground Hiphop Extraordinaire! From BeeOne's Underground Debut "In My Opinion".
Written and Performed…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
NOT FINISHED. another doo-doo draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great!
Comments on glu's stuff
This song pretty much rocks
I like it
this is great man, the build up is amazingly executed. the wall of distorted sound at the end is equally as mugasmic
Nice one Glu you got some good sounds happening here
you do come up with some cool sounds my man
Hi, 'Guest' -- I'd love a piano but for now I'll have to do with Sudara's 15min recording session.
love the piano in this song!!! Are you getting an upright for the studio!?
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Classic Glu! That CRUNCH at about 1:40 is awesome!
Lovely.
Way Cool! Enjoyed this one man
Sweet!
Oh. No wonder this song has been "kicking ass" for so long, it kicks ass. I'm going to go punch Jon Kyl in the back of the head.
nice
Love it!
yeah... COOL!!!
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
It's dark, It rocks, - I love it! w;-)
Great movie soundtrack!
Comments made by glu
nice! I like how this one turned out!
yeah! yeah! love the do do do's especially. and that weeping clarinet!
53XY!
no, i was the pyrotechnics operator :-)
your crowd savage, it was from our North American tour! This one was recorded in Anchorage, remember? :-)
oooh... love the percussion. the entire assemblage is beautiful. tranquilo.
turn the didgeridoo into a bass line? by all means...PM me your email.
love it brother and friend(s)
thanks for the apple WG! Have you tried my coffee-making instructional track? it might help you work on your homework :-) http://alonetone.com/glu/tracks/glu-makes-you-coffee
woah... just lovely. I'm with Kirk... awesome flute melody. great feel to this one.
woah, I like the last melody in this one. Thanks for the comment.. 'Bob Ross of electronic music' !!! :-) held my side in laughter!
wow, beautiful. Nice big sound.
yes, i'm faving my own track but that's because it was such a brilliant 24 hours of life.
gorgeous. I love the way it is now, but it would also be fun to hear a beat to it... I hope to see The Charismatic Megafauna live one day!
dope. love the beat, rap style, lyrics... just dope.... all the way around.
awesome lunch break. Always dug this one.
yeay! love it! you are quite the sound sculptor, amigo.
love the rhythm and bass.. and the bah bah bah bah. nice homage.
ahh yes! The The!! How did I forget about them? Didn't they sign onto Nothing Records awhile back?
Oh eee Oh... Oz reference ftw! Love it!