Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
the excessive guitar layering that comes in at the first switch is awesome, and the switch back into the main chord progression sounds great. the percussion going on really helps keep the progression from getting too repetitive...but fade outs aggravate me. :)
Not only about this track,but about the rest too:you're so incredibly creative and courageous to combine styles,sounds,rhythmes,atmospheres.We like very much what you do and thank you for your comments about 3 of our track,we are happy you like tham.
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
![aphoto](http://i52.photobucket.com/albums/g9/iloveglu/800px-Tundzha.jpg)
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
now your vocals are sort of reminiscent of dose one in the song 'the crow' from subtle's album 'exitingarm'...i swear i don't try to come up with comparisons, but what better way to express an abstract thought than by referencing something concrete that would make more sense anyway?
this is pretty awesome.
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
your voice is eerily similar to the guy's from fujiya & miyagi..apparently you've been really busy since the last time i was active on alonetone. i think i've said it before, but your production and arrangements sound technically great. the longer i listen to this song, the more i like it.
i was kind of hesitant to start commenting on anybody's music, because the way the site is set up it kind of always feels like back patting in search of back patting, but this is really cool.
antarctica just started playing and i'm already into the bass line.
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
The psyche is a weird place, I'll just talk about it musically.
The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…
close your eyes and imagine a glu concert-- what does it look like? describe this fake show to me... what would you want to see?
Oh, almost forgot. Many sounds, like these pretty cellos were found on freesound. I did manipulate the pitch on…
Field recording from SE Peru. Came across this pissed off spider monkey and decided to record a few minutes of this vocal bout. I'm not sure what elicited such a vocal temperament, and of course, at the time, I was worried it was a large cat…
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
My evening challenge: compose and record a piece in an evening. Song titles will reflect the time of day when the day's light slips into the darkness of night.
Took sandbags' [Rytme Shifter 1](http://alonetone.com/sandbags/tracks/rytme-shifter-1) and added my special brand of guitar incompetence.
I bought myself an E-Bow this week and this track was just perfect for playing around. After a day of wankery…
Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
I added melodies to the initial track and then Sister Savage
rerecorded the vocals to match the new melody.
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
damn! wow, I either missed this or I am hearing it with new ears. Really class. Going to give this playlist a better listen tomorrow. 'Listened to 1432 times' BAM!
The first version.
This is the first and only song I wrote on [arrsuarez](http://alonetone.com/arrsuarez)'s Christmas gift to me, a mbira that he lovingly crafted by hand.
![mbira](http://img.skitch.com/20090309-qan7jaha9gtbge23e6d3aqh2td…
this song sounds like the soundtrack to either a) the calm before the storm or b) the eye of the hurricane. Either way, it is calm and tranquil but it's only fleeting. There's something really heavy about to hit. In an album, I would put this right before a hard hitting track.
not sure if it will go on the next glubotic revision or if it belongs elsewhere. This question gives rise to my multiple-music personality disorder/syndrome. glu.botnet, happy machines, and a few more might get thrown into the next album revision when I get around to it.
and the BTTC remix? Any progress?
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
30:
Urban dictionary has some funny submissions:
http://www.urbandictionary.com/define.php?term=thirty
#2 A slang term for a hardcore porno movie. Derived from the Roman numeral that stands for the rating (XXX).
#3 A "key word" used by modern males to alert one another of an oncoming attractive female.
Okay so I enjoyed doing Glubotism1 enough that I thought I'd take a second crack at it. Same tools but took a different approach to how I used Stylus RMX and I introduced some of it's built-in effects on some of the parts. Also I bused RMX and…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.
Comments on glu's stuff
nice structure. some cool guitar action in there to Sham
Oh and I just saw your comment on Homeless thanks mate
Oh yes dig it nice distortion this is great mate.
I click on play and nothing happens??
hey kirk... I ran the acoustic through guitar rig.. a few times.
Damn this is heavy! What did you run the acoustic through to get that distortion sound?
the excessive guitar layering that comes in at the first switch is awesome, and the switch back into the main chord progression sounds great. the percussion going on really helps keep the progression from getting too repetitive...but fade outs aggravate me. :)
funky fresh :)
Not only about this track,but about the rest too:you're so incredibly creative and courageous to combine styles,sounds,rhythmes,atmospheres.We like very much what you do and thank you for your comments about 3 of our track,we are happy you like tham.
Oh yes I like this mix mate your tracks are so polished very cool.
now your vocals are sort of reminiscent of dose one in the song 'the crow' from subtle's album 'exitingarm'...i swear i don't try to come up with comparisons, but what better way to express an abstract thought than by referencing something concrete that would make more sense anyway? this is pretty awesome.
your voice is eerily similar to the guy's from fujiya & miyagi..apparently you've been really busy since the last time i was active on alonetone. i think i've said it before, but your production and arrangements sound technically great. the longer i listen to this song, the more i like it. i was kind of hesitant to start commenting on anybody's music, because the way the site is set up it kind of always feels like back patting in search of back patting, but this is really cool. antarctica just started playing and i'm already into the bass line.
I can actually hear a rap....I heard was listening to someone the other night, forget who, but he was pretty good. Want me to dig him up?
ok thanks for narrowing down the search. I do recall you saying that you took piano lessons..but would have preferred to take theory at the time.
glu, please get something from my music and transform it into something cool of your own style.. it would be great to hear what you get
I see a very creative man, glu, you are so very creative... I liked it
hey glu, thanks! :)
Percussion is outstanding. I think all this song needs now is a Moveable Yonder T-Shirt!
Glad to see you uploading the individual tracks from the 24- cool!
Missed this one(easy to do with your catalog) Lovely track!
Comments made by glu
beautiful. more piano tunes please!!!
it's good enough for me too!
nice!
This is really nice!
perfect. love the e-bow action. I want one too! goes perfectly with the gates stuff.
yeah, busy mix ftw! It was so much fun watching this come together. Sister Savage's new vocal take was really inspiring.
el mejor aqui!!! Me encanta la moda.
you are a super class sound designer with these experiments. I'd love to incorporate your work in some future mixes.
Oh yeah! Hot!!!!
damn! wow, I either missed this or I am hearing it with new ears. Really class. Going to give this playlist a better listen tomorrow. 'Listened to 1432 times' BAM!
this song sounds like the soundtrack to either a) the calm before the storm or b) the eye of the hurricane. Either way, it is calm and tranquil but it's only fleeting. There's something really heavy about to hit. In an album, I would put this right before a hard hitting track.
not sure if it will go on the next glubotic revision or if it belongs elsewhere. This question gives rise to my multiple-music personality disorder/syndrome. glu.botnet, happy machines, and a few more might get thrown into the next album revision when I get around to it. and the BTTC remix? Any progress?
oh this is nice! I really like it as it builds from around 01:15....01:45..and then the melody at 02:00 is great
like the melody here, Uncle. The vocal treatment is nice too... the stereo voice effect is great! and the dancing guitar layers... nice stuff
oh yeah! like the beat... Bom chk! Bom chk! --bp bp --bp bp
Nice! Jeffy G is here! woohoo! sounds like one of the piano motifs from "Lost"
I knew none of this prior to titling the song!
30: Urban dictionary has some funny submissions: http://www.urbandictionary.com/define.php?term=thirty #2 A slang term for a hardcore porno movie. Derived from the Roman numeral that stands for the rating (XXX). #3 A "key word" used by modern males to alert one another of an oncoming attractive female.
think I might do another mix of this... keeping the integrity of this track this time.
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.