I was told that even tho she left me after 28 years it doesn't negate the idea.
There’s a place in my mind where your face had a home
Long before you came into my life
Before you were a known
There’s a note in my song that I knew fit somewhere…
Tesla...maybe the smartest man that ever lived.
TESLA
Who invented remote control? TESLA
Who invented the fluorescent light? TESLA
Who invented the radio? TESLA
And who died alone and forgotten in 1943? TESLA
So, you say now, “Don’t…
Little did I know...
If you left me I wouldn't wanna talk
I'd put your sandals by the curb and I'd take a little walk
I'd buy a roll of paper towels and I'd soak up every tear
Hang it on the clothes line. Just watch them disappear
If…
I never met Jesse,
but I heard her howl in the night,
but I heard her pups yelping for
whiter they yelp for. She was strong
and she was there. And in the Texas
night out on the prairie between
Lillian and Alvarado I could hear them
singing…
key of C - no capo
We listen for years for words to explain ourselves. "I'm good but not THAT good," was such a moment for me. Good enough to stay in the game but never good enough to win.
Last night I kissed somebody
I kissed somebody…
I was told that even tho she left me after 28 years it doesn't negate the idea.
There’s a place in my mind where your face had a home
Long before you came into my life
Before you were a known
There’s a note in my song that I knew fit somewhere…
400 BULLETS
400 guns. 400 bullets.
400 babies in the grave.
You got your New Pearl Harbor
Now it’s time for a new Passover.
400 guns
400 guns. 400 bullets.
400 babies in the grave.
Buy your $10,000 dog
One bad steak and he’s a…
400 BULLETS
400 guns. 400 bullets.
400 babies in the grave.
You got your New Pearl Harbor
Now it’s time for a new Passover.
400 guns
400 guns. 400 bullets.
400 babies in the grave.
Buy your $10,000 dog
One bad steak and he’s a…
FIREFLIES. capo @ 2
F walk down
We (C) spoke of them as (C/B) sweethearts
There (Am) in the Southern (F) sky
(C) Saturn, just a (G) twinkle, bold (F) Jupiter near (G) by
I (Am) guess we didn't (Am/G) notice
as they (Am/F)drifted a…
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
SKINNY GIRLS
Capo @ 3 in G
...and then he said,
I like skinny girls
Toothy girls
Flat chested girls
I like girls with Adam's apples
A mouth full of titty
And a hand full of ass...
A girl with a six pack
is my kind of...
And then…
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
Matthew F. Blowers III
I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
I NEVER DREAM
I never dream of building bridges. I never dream I’ll build a dam
I never dreamed of a cathedral for the mighty God, I Am
I never dreamed of founding clinics or make donations to the cause
I don’t see my name on statues and…
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
(Remastered 22/10/2021)
So I got me a new geetar the other week.
Named her Lala, obviously. Seemed kind of appropriate - she wears a faded gold dress and is full of chunes and mischiefs.
This is our first effort together. It was meant…
I wrote this song after planting and fertalizing a crop of sudan grass just to have the sun shine down with no relief on it for 100 days and no rain. We, Texas Water, were heading home one night AFTER A GIG at Gringo's in Grapevine when the…
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
My attempt at this super fun sea shanty!
This is an old New Zealand whaling song. The popular recent version was recorded a cappella by The Longest Johns. I'm using the chords suggested by Piotrek_G on ultimate-guitar.
Edit: re-uploaded…
CALIFORNIA
Capo @ 4 in C/Am
I’m (Am) going back to California
A little place in the San (E) Joaquin
(Am, stepping down A G F# F E)
Where the back pasture builds
To Sierra foothills
And Kaweah tumbles down cool and clean
I’m going back…
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
VIDEO https://www.facebook.com/reel/629088762494393
https://www.facebook.com/100007692130538/videos/122358790913196/
THE CIRCLE OF NO REGRETS Key C
capo @ 5
C F G C C G C
If your heart must be broken…
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take.
It’s almost like you’re giving the audience an option. Christopher Youngblood
Comments on James Michael Taylor's stuff
Most beautifully done.
Look, I am trying to work through the mountain on my desk without laughing, but this is such fun.
What a super track! I want to compliment you on your backing vocals.
great production and concept - I'm with Bethan on this.
Especially enjoyed the music on this one. Niiice!
I like that. Yeah, not funny how things turn out!
Well, I have been trying to make a comment on Shoes but it won't let me. Odd! "Shoes" is certainly thought provoking.
Oh this is lovely.
Love the lyrics. I think they get better and better.
Well I'm sure it had nothing to do with this track. It's really cool.
Love the intimate atmosphere. Gorgeous melody and featured guitar.
Cute key for you JM! Querky little track!
I think every word is true. Love the raw backing and the bluesy feel.
I love the story here and the feel good factor! Brilliantly performed JM!
Excellent. Very clever.
Love the backing vocals on this. Very nice. ER
I like this. I thought like this as a teenager. There are a number of girls in high school who never knew I had a "thing" for them. Oh, well. ER
This idea is eternal, my friend. This is - the hope; this is - the bright path. Even after 28 years, even after ...
Call Neil! He'd like this one.
Kick A$$!
Comments made by James Michael Taylor
"Fireflies." has a stellar intro, and then you woot he listener in with your crooning and compelling vocals. I have always loved the topic of fireflies and your hook about chsing fireflies in the htickets of two hearts is Phenomenal. Lots of nostalgia in this one, especiually for the girl next door who played a game with me, a kiss for every firefly i caught for her. But man those bugs were elusive as hell. But when I got a few, I was enthralled by her gentle thank you on my lips. Matthew Blowers III
Now "Skinny Girls.' is a riotus collection of just plain fun and some great humor, I was so dissappointed when the track just cut out. But then I unbderstood you were giving folks just a taste. I was actually starting to visualize all the descriptive bean pole girls you were listing. A great bar song for sure, and I can see all the slightly inebriated guys rethinking and checking out all the skinny girls nursing their beers. LOL Matthew Blowers III
Matthew F. Blowers III I am really liking your song on California, I have a special love for that state. You captured all the reaons I miss it, with your superb storytelling in lyrics and with the smooth harmonies and extremely well played music. It has a catchy beat, and I listened to the very last note.
Very catchy! Too short, maybe. Gotta listen twice.
So today, for some reason I decided to read the words first.. Just the words. And found it an absolutely beautiful experience. The metaphors you use to describe great and cosmic plans and intentions of great societal achievement, contrasted with the lines that begin with, "BUT I dreamed we met for breakfast".... (the switch and the contrast is very powerful) what a tiny, common human thing: meeting over the sharing of food,. Then followed by, "I dreamed I held your hand"... human touch/connection, as though those two simple things are worth more than all the highest achievements of worldly fame, and material ladders climbed! Which they are. They so are. The rest of the lyrics continue to develop & express that idea beautifully. Then I listened to the sing, and although it is good as a song, For me, the words in themselves stand strong and impactful w/o anything else. Not to contrast them and say one is "better" than the other. Just that sometimes I see lyrics that stand alone, And just saying, these words do that very well. Gwyn Henry
This is cool. It gives me ideas.
WoW! Knocks me out. Really sizzles.
Makes me want to find a partner and do a little dance...very nice.
You had me at, "If I back off and shut my mouth..." Know exactly where you are. So afraid the answer is, "No."
Sounds like a 50s Buddy Holly era song. Very sweet sentiment. And, yes, I can dance to it.
Great characterization. Great kick drum sound.
WoW! Rock me, dude! Love the imagery.
Kim Triolo Feil James Michael Taylor that's a fantastic story and a very lovely song
Yes! A MONKEES song, for sure.
Interesting sounds. Cool chord shifts.
Aaah, if Love could only be forgotten... Nice.
Like it.
Very nice...
California has a chorus that camouflages the dramatic irony of the verse narrative. If it weren’t for the unusual intro, it’d seem zirconium. Christopher Youngblood
Circle of No Regrets sounds quaint. That’s what makes it hit. Unless you turn your ears on, it’s a boring song, but once you do, it’s hard to take. It’s almost like you’re giving the audience an option. Christopher Youngblood