Twisted manipulation in Pure Data sampling and breaking up a 30min recording I did last year called Shiver. The patch samples an audio file somewhat randomly of which I was capturing the edit in another buffer.
Cool envelope I found and tweaked over two oscillators being initialized with random frequencies 0-1400 hz. Built two loops into the patch and it's soup! Credit inspiration from Paris Young with reminding me about PD's randomizer object!
Cool envelope I found and tweaked over two oscillators being initialized with random frequencies 0-1400 hz. Built two loops into the patch and it's soup! Credit inspiration from Paris Young with reminding me about PD's randomizer object!
First foray with a Eurorack module in conjunction with my Pure Data patch. Also using a delay box from Timebox Instruments on this which has some theremin ability. Created for this week's Sound-In fest.
Made in Pure Data tweaking envelopes and a windowing technique to shape the oscillators which there are two in this looping and interacting, 120 and 160hz.
Made in Pure Data tweaking envelopes and a windowing technique to shape the oscillators which there are two in this looping and interacting, 120 and 160hz.
I've been musically idle for about 3 months having been focusing on another muse from the past, photography in the 'film' sense. This week I had several things leading me to want to give time to an improv the current Sound-In Facebook group…
Another computer generated composition largely created using Csound, an audio programming environment built in the c language by Barry Vercoe in the mid-80's at MIT. I've recently been experimenting with it creating synthesis sounds. This piece…
This is cool. I am a programmer by day. Never heard of Csound but have you tried PureData. Its similarly low level but its visual (drag and drop and draw instead of typing).
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS
I believe you willhave to join, we will get an approve req and follow through.
using this https://fb.me/e/2ohIt8Mzp event = Sound-In Event “Time Machine” - with this track first forward then backward -- https://alonetone.com/erocnet/tracks/timeframe by Roger Sundström
using this event https://fb.me/e/NaznnV5Z called…
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
First completed solo project after a years-long home recording hiatus. Recorded into BandLab running on an old iPhone, which is a surprisingly fun way to work.
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Test recording of voice modified by a EHX Voice Box on vocoder setting; the modulating signal is the sound from a one-string instrument made from an old crutch. Post production involved adding two copies of the original mono track, panned slightly…
Comments on jimgoodinmusic's stuff
yes -- incredible yes..
A lovely aural dream!
I love this, it's so mesmerizing and the distortion is a nice touch!
thanks for making this Jim..
Cool vibes indeed!
great --- this is really so mellow-
Tranquil and meditative Jim
nice so pleasant and wonderful--
Nice array of sounds, digging those harmonics.
This is cool in the same way that Bill Frisell’s album “Is That You?” Is cool.
Nice one, Jim! Definitely got a jazzy undertone going on.
I love the atmosphere of this! It's reminding me of the sound of singing wine glasses
excellent halloween music --
the high pitch seems to be difficult for me to listen to-- not sure why I have such difficulty with high pitches?
cool--
Jim... this is a very cool piece... especially around the 4 minute mark. Well done!!! Joseph Benzola
Sounds nice and chill man
Nice timeless feel to this, Faheyesque indeed
This is cool. I am a programmer by day. Never heard of Csound but have you tried PureData. Its similarly low level but its visual (drag and drop and draw instead of typing).
it is good these types of Jubilance --- specially in dark times-
Comments made by jimgoodinmusic
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS I believe you willhave to join, we will get an approve req and follow through.
Ghostly - brilliant Kavin!
nice how the piano voice fades out on this one.
particularly like your 'played' or sequenced keyboard part in this, the notes the color Bill
Rich and speaks well!
lyrically shades of electronic counterpoint!
Absolutely lovely!
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
like the pippa or koto in this or some similar
so lyrical and like Kavin said, 'harmonics for days...' or to me rings forever! lovely Roger!
beautiful and full of haunt!
like the beat, like the Wes Montgomery lines in the latter.
wow Ben in the sound of the piano and the space it feels like Debussy!
growing intensity! Good to hear from you again Ben (at Sound-In)!
Hypnotic and casting spells. Thanks too for your recent words re my ukulele piece Jim.
This is cool with an occasional nod to a reggae beat. Your bass parts are very pronounced and on the spot and the reggae beat has returned.... Police!
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Jim it's great where things that you will utilize become such potential instruments. The higher linear voice is cool and exotic here. Good piece!