great work pure data is kinda difficult for me to make massive constructions due to the complexity of the details that have to be correct when working with it but pure data is a great program -- :)
Improv on an idea on mountain dulcimer with current times in mind. Created for Sound-In A Moment Captured event. The title is in the positive of the word and not in the flame thrower use by the the idiot in the White House, if anything liberty…
My first experience with a mountain dulcimer was one that was refretted with glued on bits of wire to make each step 65 cents instead of the usual 100 cents. I like your calming playing. It is like a conversation with friends by a fire under the starry sky.
Different endless tape loop recordings of snippets of fretless guitar improvised then assembled and remixed in Pure Data Vanilla. For the Sound-In Event of Aug 1 2020
Similar in creation to Endless fusing analog cassette tape loop with Pure Data patch. This one I'm playing real time violin and manipulating in Pure Data. Like to thank Amulets (https://www.amuletsmusic.com) for some recent inspiration. This…
Of late I've been going through a fascination with cassette tape. Really it started in 2019 when I released a Bandcamp release of mine on a physical cassette tape which is available at the link below. That said I've been inspired by Randall…
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
Short violin phrases played then manipulated in process in conjunction with a filtered noise floor, variable oscillator and a voice sample, all mixed live in my Pure Data patch, this one inspired by tape looping. Created for Phase 2 of Sound…
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
I wrote this song as a way to process some of the feelings of sadness, dismay, anger, fear and love that were brewing inside my heart this past week. I live in Minneapolis, where the terrible killing of George Floyd occurred, and the subsequent…
Very positive and uplifting and a feel between Dolly and Emylou. Lovely coming out of the darkness of your Twin Cities. I'm sorry there has been so much hurt there, clash that sadly is like 50 years ago again because it is. Change has to come in the unnecessary loss of George. Thanks for the kind words to my track earlier Colleen. It's good to discovery you and Andrew also in your circle.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
Here it is in all of its glory...
THIS is the song that Mrs R and I had decided was a suitable response to a request to "Upload something HAPPY, stat!!!!!!!!!"
I tried to record it back in 2013 when I wrote it…
Wow! Lovely mix of Leon Redbone, Joe Cocker and Tom Waits ringing through your voice particularly Cocker. Lovely peaceful and dark. Thanks as well for the kind words on my piece earlier Andrew, good to discover you!
I hope Brian (one of us Proods) will forgive me for posting this before we could get together to work on it further. He first played it for me a few months ago and I've been obsessively tweaking it every chance I could get.
I like to imagine…
very retro in this day and age and touch of the Smiths 'ring around the fountain' in this! Thank you for your recent comments on what I do - doesn't have the beat as yours :)
This just seems like I place I want to come and check out someday when I have time. Anyhow great live sound btwn all and pretty out of the box places your guitar going on this Kav!
I took the audio of Fumble by Roger Sundström and Cast by Jim Goodin and noche dia los muertos by Kävin Allenson and not now at all 2 by Bill NewBold and using melodyne changed each into a single line midi file and combined the 4 midi lines…
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
Comments on jimgoodinmusic's stuff
this is pure joy,.. it has such a twang that gets emphasized by some kind of tape manipulations it is amazing --- thanks for the upload-
great work pure data is kinda difficult for me to make massive constructions due to the complexity of the details that have to be correct when working with it but pure data is a great program -- :)
Lovely atmospheric sound on an instrument that has always intrigued me.
great 000 it has a kind of textured effects to it.
My first experience with a mountain dulcimer was one that was refretted with glued on bits of wire to make each step 65 cents instead of the usual 100 cents. I like your calming playing. It is like a conversation with friends by a fire under the starry sky.
This has a distant, lonesome, Ry Cooder-like feel. Like driving through the desert.
Sounds like something I might've done with my fretless, back in the old tape days. Lovely!!
just excellent --- this is art for me-- I love this. --- :)
Crazy cool
wow-- just intense this is--
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
Not sure what is going on, but your tracks definitely sound interesting
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.
Somehow this is a perfect representation of how "noisy" our daily lives are, and how the cacophony seems almost normal.... Cool stuff here
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
nice stuff. here.
Comments made by jimgoodinmusic
Very positive and uplifting and a feel between Dolly and Emylou. Lovely coming out of the darkness of your Twin Cities. I'm sorry there has been so much hurt there, clash that sadly is like 50 years ago again because it is. Change has to come in the unnecessary loss of George. Thanks for the kind words to my track earlier Colleen. It's good to discovery you and Andrew also in your circle.
lovely jeckle and hyde going on here :)
Wow! Lovely mix of Leon Redbone, Joe Cocker and Tom Waits ringing through your voice particularly Cocker. Lovely peaceful and dark. Thanks as well for the kind words on my piece earlier Andrew, good to discover you!
introspective and reflective of the street, great mix!
dance of frequencies abound in this.
Really nice Kavin. Hang drum right out of Steve Tibbets Choying recording.
very retro in this day and age and touch of the Smiths 'ring around the fountain' in this! Thank you for your recent comments on what I do - doesn't have the beat as yours :)
Love this Roger, akin to some of the stuff I'm doing in PD. 3:55 sounds like on a ship and rocking the waves!
lovely!
Gosh! How many layers? Inventive segues Roger!
This just seems like I place I want to come and check out someday when I have time. Anyhow great live sound btwn all and pretty out of the box places your guitar going on this Kav!
Roger amazingly crafted!
Love the space and placement in this Roger!
Very cool and echo's haunts of Michael!
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
nice sense of tonal nostalgia, true electro-acoustic
nice guitar enhanced swells and for some reason I want to say pointalism in the foundation.
definite Fripp infused here. Takes me back to Wind on Water I think.
19 and modern color but 300 years ago in emotion and feeling!
segue to the dreamlike state out of the cool guitar Frippish section nice surprise!