Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
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This is a live mix of 6 oscillations created in Pure Data. CDBAF#E according to my notes. Discovered this patch from making it about a year ago on a Linux machine. I opened up and created this live interaction.
This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…
Created from ongoing trying to improve a Pure Data performance patch for live. This was 5 test voice samples pitched up slightly and mixed live with 2 oscillators pitched at 222 and 242 and 2 noise generators.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
I've been inspired all week by Steve Reich's Electric Counterpoint. This piece of 6 parts done by me on baritone ukulele is my response to it, very loosely based and the core repetitive rhythmic part based on the 3rd movement, Fast. Additional…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
I took the audio of Fumble by Roger Sundström and Cast by Jim Goodin and noche dia los muertos by Kävin Allenson and not now at all 2 by Bill NewBold and using melodyne changed each into a single line midi file and combined the 4 midi lines…
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
delicate and great control, keep thinking the high glasslike on this is Jame's track mixed in. Lovely textures on all these Roger but particularly this one.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Comments on jimgoodinmusic's stuff
nice stuff. here.
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
I am here.. and there.. and everywhere --- we all are. :) great experiments, I think the sounds are true--
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definite workings in sound.. it is.. consistent and well played. here-
so experimental there is a way about this that has,,.. mmm a way about it.
I, have to say it. Since you’re in the groove, it’s happening really groovy.. keep doing these Jim! With a groove like that don’t stop..
I seriously like the progress in these constructions..it’s really developing into new music.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
<3 me Reich-ish things on stringed instruments. Nice one!
A cool microtonal experimental piece!
Linda: “what is your phone doing?” :D
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
Comments made by jimgoodinmusic
Very cool and echo's haunts of Michael!
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
nice sense of tonal nostalgia, true electro-acoustic
nice guitar enhanced swells and for some reason I want to say pointalism in the foundation.
definite Fripp infused here. Takes me back to Wind on Water I think.
19 and modern color but 300 years ago in emotion and feeling!
segue to the dreamlike state out of the cool guitar Frippish section nice surprise!
ghost in machine. Nice and short to the point!
Really nice mix of live and environment and production Kav
world calamity!
nice phrasing Jim, sounds electronic but not!
nice curve to this Bill
this is excellent particularly the opening as the guitar vibe is great tone and interspersed nicely Chris. The latter goes to surprising places.
wonderful!
really nice Kavin
echo Bill, lovely melody and sense of explore. Interesting fact re the artificial sweetner.
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
delicate and great control, keep thinking the high glasslike on this is Jame's track mixed in. Lovely textures on all these Roger but particularly this one.
brilliant and perfect!
love the subtly of this and the way you evolve each section.