A mash created with Kavin/Breaking Light's Tin Can Dream Home from this weekends Sound-In event. I took a solo lap steel improv, mashed with Kavin's and manipulated both.
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22 fret to the octave 2 part improv. Growing up in the south and seeing the movie Hidden Figures this evening saddly brought them to mind but ever mindful.
A piece that came a few nights ago in some experimenting with midi over wifi and using my fretless guitar as a controller and an electric piano patch from the app. I looped the parts of the piece live in to Mobius.
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
A piece that came a few nights ago in some experimenting with midi over wifi and using my fretless guitar as a controller and an electric piano patch from the app. I looped the parts of the piece live in to Mobius.
I'm fascinated currently with alter'd tunings and I don't mean the altered open guitar tunings used in a lot of acoustic folk, celtic and instrumental guitar which I have done and they are all great and inspiring. I'm speaking of the alter'd…
This is a very lose response interpretation/nod of the hat to a fine piece by composer James Ross, his piece Finding a Diamond on a Muddy Road https://soundcloud.com/jrossmusic/finding-a-diamond that is stellar.
Some interesting sounds, Jim. I like the little slides at the ends of many of the tones. It builds nicely and the return of the single tone idea at the end works well. And thanks for the mention.
Two different small-size guitars; one a "proper" electric with microtonal frets in the top half of the fingerboard, the other a toy but with metal strings tuned to the same scale as an egg slicer. Two different recordings of each, all through…
I guess you can call this in 13/8 meter or alternating 7/8 - 6/8 - but I counted it as 7-3-3. Also this was another proof of concept with Abelton Live. Three guitar tracks in F# phrygian more than less.
Another Roland SE-02 through EHX Stereo Memory Man. Some similarities to "Polly...", but mostly different. Submitted to Sound-In "Changes" for 16-23/6/2022.
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS
I believe you willhave to join, we will get an approve req and follow through.
using this https://fb.me/e/2ohIt8Mzp event = Sound-In Event “Time Machine” - with this track first forward then backward -- https://alonetone.com/erocnet/tracks/timeframe by Roger Sundström
using this event https://fb.me/e/NaznnV5Z called…
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
Comments on jimgoodinmusic's stuff
Interesting fusion of sounds and ideas
I dig the sounds.
Cool Jim! Thanks!
koyaanisqaatsi
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I love this! It totally captures my late December mood!
Nice job Jim. Thoughtful and pleasant tones.
Very relaxing. Love the backwards and downwards-pitched tones!
...I meant to say, "When do you sleep?"
How do you sleep?
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
Cool method and process, your personality still shows through the machines Jim ;) -KAvin
nicely exotic Jim!
Great sound top job
I like this. It's artistic and strange.
Nice mix of sounds
Great sound here Jim. Congrats on the Ride!
Pretty!
I have had days that could support a background track like this.
Some interesting sounds, Jim. I like the little slides at the ends of many of the tones. It builds nicely and the return of the single tone idea at the end works well. And thanks for the mention.
Comments made by jimgoodinmusic
that was a real Electric ending - sounds like fire in the circuit! Fits the title Kav!
Poltergeist and a strange similarity to feel of Kavin’s desert birds Jim.
Nice Chris - bit like a League of Crafty in the storm!
neat envelopes and morphing Jim!
lovely melancholy spirit to this - feels very natural played!
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS I believe you willhave to join, we will get an approve req and follow through.
Ghostly - brilliant Kavin!
nice how the piano voice fades out on this one.
particularly like your 'played' or sequenced keyboard part in this, the notes the color Bill
Rich and speaks well!
lyrically shades of electronic counterpoint!
Absolutely lovely!
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
like the pippa or koto in this or some similar
so lyrical and like Kavin said, 'harmonics for days...' or to me rings forever! lovely Roger!
beautiful and full of haunt!
like the beat, like the Wes Montgomery lines in the latter.
wow Ben in the sound of the piano and the space it feels like Debussy!
growing intensity! Good to hear from you again Ben (at Sound-In)!
Hypnotic and casting spells. Thanks too for your recent words re my ukulele piece Jim.