Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off!
It's the slide mandolin that is so fascinating.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Caveat emptor: I did absolutely none of the drumming in this piece.
ANOTHER WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey delighted me with another visit this evening. He played "Aju" - all 5 tracks…
Very raw, completely improved piece. One track, one take.
Guitar -> GT-10 -> JamMan Stereo
A touch of Discord 3 was added as a send effect. Limiting on the master track. Et voila.
Sorry about the clipping.
Recommended listening…
Although I think I like this version the best, a longer break in the middle (at 2:40 there is a short one) with some ambient shalalas would be cool, just to break it up a bit. Just my op., the song and production are great as is.
Part IV of a fully improvised ep. Available for purchase at bandcamp.
http://maxsipowicz.bandcamp.com/album/the-winter-in-our-hearts
By buying you will also get a $5 discount on the price of the LP I am working on once it comes out.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
Finally, the finishing touches seem to be put on this three-year-old song thanks to some very talented people.
The band is:
Liam (age 13 at the time of recording) on drums
A Girl Named Sam (she's no kid!) with the backing vocals
Genevieve…
Sank a solid 17.5 hours into this one, so there won't be a complete album out of this 24 hour day.
Had the structure floating around for a year; this is my first stab at it. There are definitely huge revisions in store.
Comments on kavin.'s stuff
Beautiful.....
Beautiful What a great idea!
Very nice!
Whayhay, not bad!!! :) Brilliant work and live too - amazing!
Oh, that's "noodling" is it? Ha, I wish!!! Great stuff!
lovely touch, the recording makes me feel like im right there, feeling the strings vibrating
nice guitar work
Great from van leaf
Interesting music. You have some facinating sounds and textures going on here.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
An interesting combination of raga type music combined with classical spanish guitar. Quite compelling.
Nice one mate.
gotta love the impov first time feel.
Tingely
love the tension on this one, good stuff
Very nice old school sound
Excellewnt, strong vocal dilivery with some inventive support
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off! It's the slide mandolin that is so fascinating.
Wonderful :-)
good campfire song! reminds me of the cowboy days strumming some great blues jams
Comments made by kavin.
Great sonic space and execution, BL will be favoriting/dl'ing this.
Hi Rick! I sure like this. been hanging out with Wendy Carlos?
Howr you doin Rick? Peace to you brother, and thank you for your wonderful music!
bumping this cos it got buried in a massive upload..
I love the range of mood and texture in your music!
Wow Steve you uploaded quite a smorgasbord (sp?), need time to catch up! Welcome to alonetone!
I like this lil ditty..glad to see you here Bruce!
This is great that he played this with the "tape" running! Can I use this? I would not alter it, as you mentioned it shoud'nt be.
great improv!
Really good, unique song (singing) and treatments here. Thanks
Although I think I like this version the best, a longer break in the middle (at 2:40 there is a short one) with some ambient shalalas would be cool, just to break it up a bit. Just my op., the song and production are great as is.
Don't know how I missed this the first time around. Badass slidin'!
thanks Rhonie! You may want to look up the original John Fahey version, too.
Reminiscent of Neil Young's Dead Man soundtrack. Keep up the great sounds Max.
the praise genre is not really my cup o tea, but your voice is heavenly :)
Great groove.
Nicely done! Hope you got that little booger.
I love the feel and energy of this kind of music. Makes me wish I knew more Spanish.
Great song, great duet. I just got back from there and this sure hit the spot!
Pretty good as is! Like all the tuned percussion/organ interplay.